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Luigi M. Verde 373z2w
The image is a thread of smoke that rises into the air and changes its shape at every moment. It doesn't just follow a logic or a rule but also a whim that always remains an unfathomable mystery.
All artworks by Luigi M. Verde 5l4e1a
Abstract Compositions • 6 artworks 525k5k
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My artistic practice consciously moves in an area of undecidability, inhabiting that liminal space [...]
My artistic practice consciously moves in an area of undecidability, inhabiting that liminal space where photography, drawing, painting and writing converge in an uninterrupted dialogue. I do not consider this hybrid approach as a simple sum of techniques, but as the affirmation of a poetics that recognizes its generative core in the tension between different languages. Although my works present manual interventions, geometric signs and material stratifications, I consider them fundamentally post-photographs as they maintain a profound connection with the indexical nature of the photographic medium. This media ambiguity is not indecision, but an active semantic strategy.
I am particularly interested in what Jacques Rancière defines as a thoughtful image, an entity that does not simply illustrate a pre-existing thought, but constitutes a magnetic field charged with unresolved tensions, resistant to univocal meanings. The work thus becomes a space of perpetual oscillation between apparently opposite polarities: technological automatism and manual gesture, documentation and creation, material presence and conceptual abstraction.
My creative process reflects this threshold condition: photographic elements are deconstructed and recontextualized, but never completely denied; pictorial interventions assert their materiality without erasing the underlying photographic trace; geometric signs impose a visual order that dialogues with the organic complexity of the captured image; words insinuate themselves between the visual layers, not to explain them but to amplify their ambiguity.
This hybrid practice mirrors our contemporary reality, culturally and technologically fragmented, where images, texts and data constantly mix. I am not interested in resolving this ambiguity, but in consciously inhabiting it in a contemporary landscape, where distinctions between artistic disciplines become increasingly porous.
I am particularly interested in what Jacques Rancière defines as a thoughtful image, an entity that does not simply illustrate a pre-existing thought, but constitutes a magnetic field charged with unresolved tensions, resistant to univocal meanings. The work thus becomes a space of perpetual oscillation between apparently opposite polarities: technological automatism and manual gesture, documentation and creation, material presence and conceptual abstraction.
My creative process reflects this threshold condition: photographic elements are deconstructed and recontextualized, but never completely denied; pictorial interventions assert their materiality without erasing the underlying photographic trace; geometric signs impose a visual order that dialogues with the organic complexity of the captured image; words insinuate themselves between the visual layers, not to explain them but to amplify their ambiguity.
This hybrid practice mirrors our contemporary reality, culturally and technologically fragmented, where images, texts and data constantly mix. I am not interested in resolving this ambiguity, but in consciously inhabiting it in a contemporary landscape, where distinctions between artistic disciplines become increasingly porous.
Welcome to this collection of digital art and digital drawings, where the cold rigor of geometric shapes [...]
Welcome to this collection of digital art and digital drawings, where the cold rigor of geometric shapes merges with the vibrant warmth of photography, giving life to a visual dialogue that transcends the boundaries between reality and abstraction. Each work is a age that leads us into a hybrid universe, where the mathematical exactness of lines and angles intertwines with the organic softness of the images captured by the lens. These works are visual alchemies that transform the familiar into something new and surprising. Sharp triangles dance with blurry faces, perfect circles embrace cityscapes, while golden rectangles frame fragments of wild nature. The dance between geometric shapes and photographic visions expresses the desire to project the resulting image into a temporal dimension, marked by tension and balance, which is expressed through a more interior and existential language. So let yourself be transported on this sensorial journey, where logic meets emotion and digital precision blends with the unpredictability of life. These works do not ask to be understood, but to be experienced, like a visual haiku that whispers geometric secrets to the soul.
Chorographie • 34 artworks 6g4135
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Chorographie is a series of thematic photographs that, like a Greek chorus, resonates in the viewer's [...]
Chorographie is a series of thematic photographs that, like a Greek chorus, resonates in the viewer's soul, entering into dialogue with their spirit to suggest a moral and profound vision of existence. Each single group of images from this metaphysical chorus is almost always born from a feeling, a poem, or some pieces of music that have inspired me, to be transformed into a solo voice that takes on a life of its own. However, it is in the chorality, in singing together with the others, that it finds a "completeness", a more complete sense that comes from being part of a chorus and one with it. Chorality offers a higher vision, a more mature and aware gaze that manages to perceive each part as the essence of the whole. In a certain sense, these photographs are a philosophical manifesto of existence, a living theater where the chorus acts as a bridge between spectator and protagonist, allowing for that transfer of emotions and profound reflections on the human condition. Invention, illusion, memory and even fiction, oblivion, intention, up to the complete suspension of disbelief: to date, photography remains the best visual synthesis for creating reality before even starting to represent it.
Hidden angel, angel of beauty • 27 artworks 2o5n3w
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The eternal question, one of those capable of crossing the thoughts of all of us sooner or later, is: [...]
The eternal question, one of those capable of crossing the thoughts of all of us sooner or later, is: "What does the world around us look like?". Although it would be desirable to ask ourselves, and even better to find an answer, to the higher question: "How is our world made?", in the pages of this photographic collection we will only be pleased to explore solely the visual architecture of things, with the aim to discern whether, by dismantling this apparent surface and intertwining it with other emerging elements in our sphere of experience, we can come, at least in part, to see illuminating glimpses of these universal questions, even within the confines of our limited condition. Some angels, or better yet, a more delicate and earthly incarnation of them, with feminine contours, will be the spokespersons of these enveloping enigmas. One more consideration: despite the ideal of beauty that sometimes emerges, even in a spectacular way, from the images in question, on several occasions, a subtle aura of acceptance or even a marked pessimism linked to a peculiar vision of the contemporary world emerges. Whatever interpretation you choose to attribute to this work, it is essential to underline that there are never correct or wrong conclusions, but only new paths to take. At the bottom of a curtain of bitterness, invariably (and always) also stands the profound certainty of something that remains undisturbed, a perpetually practicable path towards happiness and authentic beauty. The last thought goes to some authors such as Borges, Calvino, Rilke, Sciascia who have left an indelible mark on my memory: I could not help but insert some of their famous quotes in the space created by the pairs of images, embracing in particular the hypothesis that each portrait, following in the footsteps of Calvino's "invisible cities", can be transformed into a love letter to photographic art.
These images are part of the artist's book: "Hidden Angel, Angel of Beauty"
These images are part of the artist's book: "Hidden Angel, Angel of Beauty"
"Res" • 16 artworks 65s5i
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The Latin term "Res" is the thing that exists beyond the name and the face, the substance that persists [...]
The Latin term "Res" is the thing that exists beyond the name and the face, the substance that persists in time, space and chance, the uninterrupted dance between the palpable and the ephemeral. Suspended between the mystery of being and the concreteness of experience is the silent muse of these photographic images. It represents, in a more ontological vision, the fabric of objective reality, but it is also what emerges from consciousness: a deeper ideal or mental vision that offers itself as a subject of contemplation. By weaving a choreography of sensations it opens like a reflection of the complexity between the folds of perception, a constitutive substance of matter itself that merges with the essence of dreams and thoughts, a changing symphony that shapes that ethereal stage between the tangible and the ephemeral. A hymn and an invitation to the wonder of existing.
The groove in which these images are placed is that of an indication of the inexpressible reality, a territory "where I have never been": the photographs are reduced to a sort of pure "inscription" which has no other meaning outside of its mere existence. In these images, once again, language plays an essential role: it acts as a structure of separation where its presence is made only by its becoming silent in front of the visual work. This involves the inevitable manifestation of a "relationship with the lost", this apparent absence of language means that every moment is forgotten, so Res is entrusted with the task of translation so that the visual text becomes unforgettable, a sort of language for the deaf and dumb. The result of these ambiguities is a continuous "retraction": here the intention is not to withdraw or declare the testimony given by the images as false, but rather to "treat again", or to define the meaning in an increasingly clear way, to continue the magic of writing.
The groove in which these images are placed is that of an indication of the inexpressible reality, a territory "where I have never been": the photographs are reduced to a sort of pure "inscription" which has no other meaning outside of its mere existence. In these images, once again, language plays an essential role: it acts as a structure of separation where its presence is made only by its becoming silent in front of the visual work. This involves the inevitable manifestation of a "relationship with the lost", this apparent absence of language means that every moment is forgotten, so Res is entrusted with the task of translation so that the visual text becomes unforgettable, a sort of language for the deaf and dumb. The result of these ambiguities is a continuous "retraction": here the intention is not to withdraw or declare the testimony given by the images as false, but rather to "treat again", or to define the meaning in an increasingly clear way, to continue the magic of writing.
Like a secret breath in light • 9 artworks 1v4xs
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These photographs present themselves as silent enigmas that linger beyond the surface of things. They [...]
These photographs present themselves as silent enigmas that linger beyond the surface of things. They pursue the hidden soul behind the fleeting appearance of the world, that vibrant essence that is concealed from eyes clouded by habit or that eludes the distracted and superficial gaze. To do this, I place obstacles along the path traced by overly stereotypical visions, always ready to veil the secret energy of what I wish to represent. To make these deceptive veils fall, to tear away these illusory masks, has become almost a categorical imperative. Only in this way, through this incessant subtraction, can I glimpse the event in its original purity, like a sudden epiphany, a dazzling revelation that shakes the viewer from the comfortable torpor of routine or from the reassuring dogma of normality. This is why, while remaining faithful to the very essence of photography, working with light and shadow or with the relentless sharpness of the lens, I never deliver to the viewer's gaze predictable copies of reality, but a more unsettling point of view, capable of disorienting the usual coordinates of perception. The image I pursue with tenacity does not reproduce, but generates unexplored worlds. It unveils the unconfessable secret of things with their indecipherable shape, the elusive core of reality as a sudden opening towards a new universe that pulsates within the world itself. In these visions hovers a silence that is dense, profound, almost palpable. They are images situated in the unexplored folds of language, at the extreme edge of the sayable, where words surrender and vision takes over. Despite this incessant search for the invisible, this poignant yearning for the ineffable, my voice always rises to narrate silent losses, deep nostalgias, that lacerating absence that language itself creates in the moment it names and defines, captures and imprisons. Whispers, sediments, distant echoes, are the hushed voices that reach my consciousness, alternating in a discontinuous flow within this small labyrinthine space that I call photography. Something ephemeral and delicate, like a breath suspended in the air, and yet dense with recondite darkness, sometimes even impalpable and elusive like an evanescent ghost.
L.O.W. Camera Grammar Exercises • 77 artworks 2w6i22
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As a witty and improvised philosopher, I enthusiastically ventured into this disquisition on the arduous [...]
As a witty and improvised philosopher, I enthusiastically ventured into this disquisition on the arduous question of whether photography can be considered a language or not. The artist, with his ingenious interweaving of images, can undoubtedly create a system of relationships that evokes a sort of visual grammar. On the other hand, the choice to juxtapose certain photographs, to play with light, colours, shots and compositions, suggests a narrative path, an idea, an emotion. In this sense, it could therefore be said that the artist is attempting to build his own language, albeit not formalised, with its peculiarities and its intrinsic coherence. On the other hand, photography differs from language in some aspects: it lacks a universally recognized system of symbols, since its meaning can vary based on the subjective interpretation of the . Furthermore, images can be ambiguous, polysemous and lend themselves to numerous misunderstandings. Finally, they are strongly dependent on the context, the meaning of an image being influenced by the culture, history and personal experiences of the . Ultimately, the question of whether photography can be considered a real language remains open. However, the artist's work shows us that images can be used to communicate complex ideas and build evocative narratives thanks to his powerful communicative system. Perhaps, rather than a formalized language, it could be correct to speak of a "language in progress", a fertile ground for experimentation, where images free themselves from the mere representation of reality to take on a role of narrative and psychological introspection. In conclusion, photography is not a language like speech or writing, but it still has the ability to create a powerful dialogue between things.
Visual dialogues • 32 artworks b1r3b
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This series represents a sort of mental space, an always open age through which ideas continuously [...]
This series represents a sort of mental space, an always open age through which ideas continuously transform and adapt to the space and time in which they are exposed. They are also a sort of showcase for looking, with a critical and curious eye, at those different techniques and materials that give shape to original, innovative or experimental works. This open and continually evolving space is therefore a form of research and study, which constantly questions the meaning and value of the work of art. Enjoy your visit!
RADICanto • 23 artworks 3pb1d
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RADICanto reveals an unprecedented perspective between the earth and humanity, underlining how deeply [...]
RADICanto reveals an unprecedented perspective between the earth and humanity, underlining how deeply intertwined our roots are, often more than we can imagine. Here, the human figure takes shape by virtue of the silent work of the roots through a slow construction guided by an ancient song, a sort of primordial energy from which both the earth and the human being have gradually derived their existence.
A contemporary look, however, reveals a curious dynamic: in fact, a contrast seems to emerge with the attacks that the earth suffers, while it defends itself by reclaiming its space again. This operation of apparent "erasure" manifests itself more as a sort of rewriting. We like to imagine that, behind this apparent disagreement, the true contours of coexistence between man and earth are hidden. No longer a relationship of aggression, but a symbiosis, a profound connection that our eyes unfortunately struggle to capture due to the growing distance from the essential things of the world.
This project presents itself as an investigation, an attempt to scrutinize through a gaze less contaminated by prejudice, what could be the ways to return to a principle of cooperation and integration with creation in this era of ever-increasing separation from the fundamental realities of life.
The teeming chaos of these images, a tribute to Pieter Bruegel, will slowly take shape to condense into a large digital collage after a long and meticulous study.
A contemporary look, however, reveals a curious dynamic: in fact, a contrast seems to emerge with the attacks that the earth suffers, while it defends itself by reclaiming its space again. This operation of apparent "erasure" manifests itself more as a sort of rewriting. We like to imagine that, behind this apparent disagreement, the true contours of coexistence between man and earth are hidden. No longer a relationship of aggression, but a symbiosis, a profound connection that our eyes unfortunately struggle to capture due to the growing distance from the essential things of the world.
This project presents itself as an investigation, an attempt to scrutinize through a gaze less contaminated by prejudice, what could be the ways to return to a principle of cooperation and integration with creation in this era of ever-increasing separation from the fundamental realities of life.
The teeming chaos of these images, a tribute to Pieter Bruegel, will slowly take shape to condense into a large digital collage after a long and meticulous study.
arcaSacra • 36 artworks a5x6n
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This series of images aims to explore the relationship between man and nature through a loose reference [...]
This series of images aims to explore the relationship between man and nature through a loose reference to the biblical iconography of the ark. Nature holds an ancient and arcane wisdom that man has lost: to respect it means to recognize the intrinsic value of every creature and the fundamental role it plays in the ecosystem. The images, in many cases created through generative artificial intelligence software, have as their guiding thread respect for animals and the preservation of creation.
Man, as an integral part of nature, has the duty to protect and preserve its beauty and complexity. The distancing from this awareness has led to an increasing exploitation of natural resources and a general disregard for life.
Noah's ark represents a last hope of salvation for a world increasingly on the brink of destruction. The evocative and surreal images aim to convey the beauty and fragility of creation. They depict animals of different species always in the same natural setting characterized by earth and roots, a sort of mental space, and always directing their gaze towards Noah, invisible until the end and positioned, ideally, on the left side of the scene. The figure of the prophet is also characterized by earth and roots, and takes on the appearance of a classical statue, almost representing that elusive ideal of the most authentic humanity.
Each photograph is accompanied by a short first-person text, an evocative presentation of each individual creature, aimed at stimulating reflection and awakening the sensitivity of the audience. Through the beauty of the images and the depth of the texts, it is hoped to inspire a change in direction in our relationship with the planet and the creatures that inhabit it. The palindrome used in the title leaves no way out: it can be read in multiple directions but with only one meaning, a fixed point that allows no negotiations or postponements.
Man, as an integral part of nature, has the duty to protect and preserve its beauty and complexity. The distancing from this awareness has led to an increasing exploitation of natural resources and a general disregard for life.
Noah's ark represents a last hope of salvation for a world increasingly on the brink of destruction. The evocative and surreal images aim to convey the beauty and fragility of creation. They depict animals of different species always in the same natural setting characterized by earth and roots, a sort of mental space, and always directing their gaze towards Noah, invisible until the end and positioned, ideally, on the left side of the scene. The figure of the prophet is also characterized by earth and roots, and takes on the appearance of a classical statue, almost representing that elusive ideal of the most authentic humanity.
Each photograph is accompanied by a short first-person text, an evocative presentation of each individual creature, aimed at stimulating reflection and awakening the sensitivity of the audience. Through the beauty of the images and the depth of the texts, it is hoped to inspire a change in direction in our relationship with the planet and the creatures that inhabit it. The palindrome used in the title leaves no way out: it can be read in multiple directions but with only one meaning, a fixed point that allows no negotiations or postponements.
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Recognition vo1t
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The artist is recognized for their work
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The artist has been published in the media, radio or TV press
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The Artist was highlighted in an article in ArtMajeur Magazine
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The artist studied the arts through his academic studies
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The artist's works have been noticed by the editorial staff
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The artist participates in art shows and fairs
Professional Artist
Exercises the profession of artist as a main activity
Exercises the profession of artist as a main activity
Biography 4jv34
Welcome to the fantastic world of Luigi M. Verde, a metaphysical place where the author ionately celebrates the creative fusion of his two souls: Art and Science. Luigi was born in Melfi, in the suggestive South of Italy, in a distant spring of 1969, an era in which digital art was still a distant and futuristic concept. During his studies in physics and cybernetics, he discovered a deep ion for black and white photography and the darkroom.
For over three decades, Luigi has been conducting a very personal research that combines his interests in philosophy, programming and natural language, with the irresistible desire to express himself artistically through photography, the creation of digital paintings and the creation of books. 'art. To avoid remaining in the shadows, he actively participates in numerous cultural events both in Italy and abroad and is actively dedicated to dissemination.
Luigi's intent is to create artistic works that enhance the complexity and vast range of combinations of the digital world, without however neglecting the importance of gestures and artisanal knowledge. What makes his works unique are the manual interventions carried out during the printing phase, which give a more personal touch to each creation. These interventions allow you to convey a greater emotional impact, elevating its meaning to a higher level.
Luigi's art is conceptual, where, like a detective dealing with problems of philosophy and linguistic whims, he tries to give shape and conception to ideas. Each creation is an enigma to be revealed, a world of profound meanings waiting to be deciphered and told. Luigi defines himself as a visionary artist with an ironic, informal and extremely synthetic approach, with one foot firmly rooted in artistic tradition and the other in the digital age.
We invite you to explore the gallery of his works, allowing yourself to be emotionally involved in the whirlwind of ideas and suggestions.
- Nationality: ITALY
- Date of birth : 1969
- Artistic domains: Works by professional artists,
- Groups: Contemporary Italian Artists
Ongoing and art events 6i2i33
No data available yet
Influences 1h3y1v
Education 4s6a5j
2001 - 2023 Libero professionista Reggio Emilia, Italy
1987 - 1993 Laurea in Fisica ad orientamento Cibernetico Napoli, Italy
Artist value certified 3h394w
Certification established in collaboration with Akoun, the world leader in art market information since 1985.
Artist Value Digital Arts 2024 | €1,200.00 ($1,372.80)
Certification has been established by Jacques-Armand Akoun on Jan 10, 2024.
Achievements 6l122d
Collective Expositions 2b1rc
2024 Yicca Contest 23/24 Milano - MATALON FOUNDATION, Italy
Solo Expositions 4d3s5x
2012 La Frontiera, L'ignoto, L'eresia "Istituto italiano per gli Studi Filosofici" palazzo Serra di Cassano, Napoli, Italy
2011 L'uomo, Il Tempo, La Natura Biblioteca ed Emeroteca comunale di Villa Bruno, San Giorgio a Cremano (Na), Italy
2007 Sguardi Sulle Basiliche Di Cimitile Società Cicero Deutsch-Italienische Gesellschaft di Schwerin,
2006 Memorie Di Pietra Städtische Galerie "sohle 1" di Bergkamen,
2005 Memorie Di Pietra Consolato d'Italia a Dortmund,
Activity on ArtMajeur 372i2l
Last modification date : Jun 2, 2025 (Member since 2014)
Image views: 200,161
Artworks by Luigi M. Verde added to favorite collections: 223
My artistic practice consciously moves in an area of undecidability, inhabiting that liminal space where photography, drawing, painting and writing converge in an uninterrupted dialogue. I do not consider this hybrid approach as a simple sum of techniques, but as the affirmation of a poetics that recognizes its generative core in the tension between different languages. Although my works present manual interventions, geometric signs and material stratifications, I consider them fundamentally post-photographs as they maintain a profound connection with the indexical nature of the photographic medium. This media ambiguity is not indecision, but an active semantic strategy.
I am particularly interested in what Jacques Rancière defines as a thoughtful image, an entity that does not simply illustrate a pre-existing thought, but constitutes a magnetic field charged with unresolved tensions, resistant to univocal meanings. The work thus becomes a space of perpetual oscillation between apparently opposite polarities: technological automatism and manual gesture, documentation and creation, material presence and conceptual abstraction.
My creative process reflects this threshold condition: photographic elements are deconstructed and recontextualized, but never completely denied; pictorial interventions assert their materiality without erasing the underlying photographic trace; geometric signs impose a visual order that dialogues with the organic complexity of the captured image; words insinuate themselves between the visual layers, not to explain them but to amplify their ambiguity.
This hybrid practice mirrors our contemporary reality, culturally and technologically fragmented, where images, texts and data constantly mix. I am not interested in resolving this ambiguity, but in consciously inhabiting it in a contemporary landscape, where distinctions between artistic disciplines become increasingly porous.
Latest News All the latest news from contemporary artist Luigi M. Verde 6w4q31
Added May 29, 2025
Poised in stillness 1a6v3e
The silence of the soul is a state of total receptivity, a condition of deep listening that precedes any form of authentic knowledge. “La pietra che respira è quella che ha conosciuto il silenzio dell’anima” becomes both metaphor and reconciliation of matter that has transcended its inert condition, through a spiritual metamorphosis and thanks to an encounter with contemplative silence.
Read on I d e o g r a ph i e 6s3h27
Added May 23, 2025
The Doubt Theorem b204
Three identical muses and queens, draped in elegant evening gowns and their faces concealed behind bovine‑skull masks, conjure a modern echo suspended between classical tragedy and medieval sacred pageantry...
Read on I d e o g r a ph i e 6s3h27
Added May 18, 2025
This is but a small cry of pain! 6c245m
Three identical muses and queens, draped in elegant evening gowns and their faces concealed behind bovine‑skull masks, conjure a modern echo suspended between classical tragedy and medieval sacred pageantry...
Read on I d e o g r a ph i e 6s3h27
Added May 18, 2025
Of permanent shadow and the fragile memory of an instant 2b6i3z
This stone is an oxymoron sculpted by nature and chance, geological memory and instantaneous fracture, polished like an ancestral thought on one face and torn like a sudden trauma on the other...
Read on I d e o g r a ph i e 6s3h27
Added May 18, 2025
Monologue 6647d
A statue, millennial emblem of formal perfection, becomes a battlefield for opposing forces. In the interstice between truth, freedom and world, opens the scarlet wound that breaks and traverses the work, not a scar but rather a revelation, a tear that unveils the impossibility of harmonious synthesis....
Read on I d e o g r a ph i e 6s3h27
Added May 13, 2025
PAX b1g2u
Peace is not a place to reach, but a gaze to cultivate. A gaze capable of seeing the light even when the clouds seem to have conquered every corner of the sky. A gaze that can recognize, in the cracks of the world and in the wounds of existence, not only the fragility of what es, but also the stubborn, wonderful persistence of what, despite everything, continues to flourish.
Read on I d e o g r a ph i e 6s3h27
Added May 12, 2025
'Pensive Image' by Jacques Rancière: A Zone of Undecidability between Reason and Experience 6k2a5u
In the panorama of contemporary aesthetic philosophy, few concepts shine with such an intense and revealing light as that of the thoughtful image, masterfully theorized by Jacques Rancière. A conceptual constellation that, like a prism, refracts and reconfigures our understanding of the visual, inaugurating unexplored territories of critical reflection and aesthetic sensitivity.
Read on I d e o g r a ph i e 6s3h27
Added May 8, 2025
Photo based art 1f666a
In this space between traditions and new visual languages, between virtuality and physicality, between concept and matter, I find my most authentic expressive dimension. I am not interested in resolving ambiguity, but in inhabiting it consciously...
Read on I d e o g r a ph i e 6s3h27
Added May 4, 2025
Happy birthday! p1t49
The fusion between the intimacy of personal storytelling – a love declared through the lens – and universal reflection on art and time
Read on I d e o g r a ph i e 6s3h27
Added Apr 16, 2025
L'ho visto con gli occhi di un clown 2ym1k
Introducing "L'ho visto con gli occhi di un clown" from my blog:
#photography #portrait #blackandwhite
Read on I d e o g r a ph i e 6s3h27
Added Apr 3, 2025
"Se mi fai il ritratto ti sparo!" 5c5nd
Introducing "Se mi fai il ritratto ti sparo!" ('If you take my portrait, I'll shoot you!'): a black and white photographic exploration of the conflict between the craving for visibility and the ancestral terror of being discovered.
#photography #portrait #blackandwhite #contemporaryart #IfYouTakeMyPortraitIllShootYou
Read on I d e o g r a ph i e 6s3h27
Added Mar 6, 2025
In the silence of my secret gardens 13u27
Fragments of an internal dialogue in black and white. Ruins, islands, silences and the enigmatic gaze of a she-devil. In this work I explore the labyrinth of existence, the fragile beauty of disenchantment, the secret melody that beats in the heart of lost things. A photographic journey into the soul, in search of an obstinate quiet and a truth hidden in the folds of the shadow.
Read on I d e o g r a ph i e 6s3h27
Added Nov 27, 2024
Beyond the surface: contemporary art between Ontology, Gnoseology and Epistemology 723h5
I share with the readers of Artmajeur a new post published in my blog on the relationship between photography and language:
Read on I d e o g r a ph i e 6s3h27
Added Nov 22, 2024
Art in the times of the ephemeral 5cl1i
I share with the readers of Artmajeur a new post published in my blog on the relationship between photography and language:
Read on I d e o g r a ph i e 6s3h27
Added Nov 17, 2024
These ghosts: the art of reality that transforms the world 2s3p69
I share with the readers of Artmajeur a new post published in my blog on the relationship between photography and language:
Read on I d e o g r a ph i e 6s3h27
Added Nov 9, 2024
The unthought and the shadow that illuminates thought 8195y
I share with the readers of Artmajeur a new post published in my blog on the relationship between photography and language:
Read on I d e o g r a ph i e 6s3h27
Added Nov 4, 2024
Le Connessioni Inattese 2024 - LO SPAZIO, IL TEMPO, L'INCOGNITO j2q4s
Palazzo Serra di Cassano, Via Monte di Dio, Napoli, NA, Italia
Saturday 23 November 2024
Saturday 23 November 2024
Performance
Added Nov 1, 2024
Space, time, the unknown 3e6u4d
I share with the readers of Artmajeur a new post published in my blog on the relationship between photography and language:
Read on I d e o g r a ph i e 6s3h27
Added Oct 19, 2024
The Insect in the Self: Descartes, the Evil Genius and the Conflicts of the Mind 1r5v2d
I share with the readers of Artmajeur a new post published in my blog on the relationship between photography and language:
Read on I d e o g r a ph i e 6s3h27
Added Oct 8, 2024
The evil genius 4k41o
I share with the readers of Artmajeur a new post published in my blog on the relationship between photography and language:
Read on I d e o g r a ph i e 6s3h27
Reviews and comments 2c1c3i
©2024 Luigi M. Verde
Egidoro •
Lavori molto interessanti. Complimenti.
©2024 Luigi M. Verde
©2024 Luigi M. Verde
Merci beaucoup Carol!
Très beau travail avec un imaginaire incroyable. Cordialement Carole Labeyrie
Very beautiful work with incredible imagination. Sincerely Carole Labeyrie
A ringrazia vi per a sighjata inde a mo galleria è e scelte ! Un salutu di Corsica !
Very and refined artist, TOP+++
Excellent!!! Congratulations...
©2023 Luigi M. Verde
Come puoi non amarlo!!! Splendida !
Stupendo lavoro di luce e creatività. Ben fatto ! Adoro !!
Grazie Jean-François!
Congratulations. Super image!
Danke Franz, ich schätze deine Meinung sehr!
Surrealismus, wie ich ihn noch nicht gesehen habe, hier kann man wirklich vom Unterbewusstsein eines einzigartigen Künstlers sprechen. Bravo!
Superbe ! Magnifique univers ,bravo !
Grazie Jean Philippe! ;-)
©2018 Luigi M. Verde
©2018 Luigi M. Verde
Un surrealismo moderno, aereo e tonificante !
