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- Graphite
- Dimensions Height 11.7in, Width 8.3in
- Categories Outsider Art
(Etant pour moi le miroir de la lettre "N", qui qui elle est la "réception" d'un message de l'autre, son pendant...)
Le mot "pendule" est inscrit sur la page, j'aurai peut-être pu "dessiner" ("écrire") "parole" ou "parler" mais "Pendule" m'a semblé plus juste.
Dans la parole , il y a destination d'un message, un message parfois qui ne concerne pas l'auditeur, on a des choses à dire, du moins à exprimer et çà e par notre attitude du moment de la parole (quand je dis parole, il faut prendre en compte comment je le dis, à qui, et comment (les gestes qui accompagnent les mots, compte énormément))
Sur ce tracé "pendule", une série de mots, en deux colonnes des termes traduit du russe au français, de la lettre "л" (que tout le monde connait ou a entendu parler...) vers leur pendant français, c'est là que c'est rigolo, observer cette série de mots juxtaposés qui touche divers domaines sans avoir de rapport concret... Le age de l'ordonnance d'une langue à l'autre...
Sur la partie basse du feuillet, un autre mot : IRCAM (Institut de recherche et coordination acoustique/musique); semble faire la part belle au silence, à l'écoute, je ne sais plus pourquoi j'ai mis ce mot ici mais il a son sens, même oublié, il y a une une accointance, une résonance, un geste qui a semblé nécessaire à l'inscription...
Aujourd'hui, il se place comme un lapsus, quelque chose qui m'échappe mais mon intimité du moment arrive pourtant à la justifier...
Justifier l'autre avec son intimité et sa porosité à notre parole, c'est le considérer dans un vrai échange, au delà d'avoir raison ou tord... C'est un mouvement pendulaire qui se développe au profit des deux...
"P" comme Paroles avec un "S"
Baptiste Vanweydeveldt,2019
su
Related themes
Visual artist, born in 1978 in Lille. currently lives in Caen, .
I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.
- Nationality:
- Date of birth : 1978
- Artistic domains:
- Groups: Contemporary French Artists
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