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Mobile Smart Home (2024) 数字艺术 由 Blamemrken

美术纸, 7x12 in

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It’s 2045 and they have been forced into more affordable housing. There will always be room for love, even when living under plywood and cardboard with all their things. Digital and analog mixed media. The original work is 10,000px+ on long side at 300ppi 关于这件艺术品: 分类, 技术技巧 & 款式. 技术 数字艺术. 数字艺术是指使用语言和数字设备、计算机、界面或网络的细节的一组多样化的创意类别。它自 1960 年代初发展为一种艺术类型。随着越来越多的数字艺术家参与其中,数字艺术已发展为几个不同的子类别,例如:分形艺术/算法、数据混合、动态绘画、2D [...]
It’s 2045 and they have been forced into more affordable housing. There will always be room for love, even when living under plywood and cardboard with all their things.

Digital and analog mixed media

The original work is 10,000px+ on long side at 300ppi

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Homelessness Art

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Blame Mr Ken is a mixed media artist whose work blends photography, digital and analog painting, drawing, collage, and pixel manipulation. His pieces, both originals and editions, often explore satirical themes, [...]

Blame Mr Ken is a mixed media artist whose work blends photography, digital and analog painting, drawing, collage, and pixel manipulation. His pieces, both originals and editions, often explore satirical themes, particularly how beauty is perceived across cultures, shaped by class, race, and status. Through his lens, the idea of ‘ugly’ becomes just as captivating as traditional beauty, reflecting his broader interest in the contradictions and curiosities of modern society. The notion of blame, and how it drives cultural narratives, is another recurring theme in his art.

Raised in Central America within a family of artists and adventurers, Mr. Ken’s upbringing in Panama, with summers filled with travel, profoundly influenced his artistic journey. School later brought him to Austin, where the mid-eighties counter-culture scene and underground alternative music clubs allowed him to experiment with art, fashion, and persona creation. Introduced to photography and art early on, he began painting and later attended art classes in Austin, Texas, alongside RTF (Radio, TV, Film) studies at UT Austin.

Encountering diverse ideas about art and the influence of other artists in Art School, Mr. Ken transitioned into a creative career in hospitality. As Director of Catering for luxury hotels, he shined creatively, deg social events. Simultaneously, he delved into graphic design and continued self-learning in various visual arts and sound design.

After years of conceptualizing and producing special events in major cities like Austin, Dallas, Houston, and Miami, he found a home in Miami Beach just after the opening of The Albion Hotel. He played a pivotal role in establishing Rubell Hotels’ special events department, overseeing venues throughout the hotel, the iconic pool and garden, the Sony Building rooftop, and the family’s RFC contemporary art collection, now the Rubell Museum.

Renowned for his creative happenings and events blending installations with performance art, he embraced his identity as a ‘Fence Straddler Artist,’ fusing personal and global influences to critically examine human behavior and societal constructs. Growing up in Panama as an American citizen, he experienced culture shock upon relocating to Florida after the death of his grandparents and faced a tumultuous ride navigating life in the USA as someone ‘different.’

Utilizing a glass ‘canvas’ and a variety of applications, Mr. Ken’s work often starts with a master pigment ink giclée, produced on museum-quality paper, canvas, or metal. He then adds layers of paint or collage to complete the original piece. Mr. Ken creates without limitation, exploring diverse methods and styles. Despite challenges like a brain abscess in 2016, his dedication to being a full-time artist has only deepened, infusing resilience and depth into his creations.

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