Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
Oubliée 30 (2023) Photography by Catherine Hélie
Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
More info
- Packaging (Box or cardboard packaging) All artworks are shipped with a carrier, carefully protected and insured.
- Tracking Order tracking until the parcel is delivered to the buyer. A tracking number will be provided so that you can follow the parcel in real-time.
- Delay Worldwide delivery in 3 to 7 days (Estimate)
- Customs not included The price does not include customs fees. Most countries have no import tax for original artworks, but you may have to pay the reduced VAT. Customs fees (if any) are to be calculated on arrival by the customs office and will be billed separately by the carrier.
More info
- Trackable Online Certificate of Authenticity Authenticity Certificates can be verified online at any moment by scanning the artwork code.
- Artist Value Certification Experts study the work and career of an artist then establish an independent and reliable average price value. The average price value situates the artist on a price range for a given period. The experts may also be asked to establish a more precise estimate for a particular work.
More info
100% secure payment with SSL certificate + 3D Secure.
More info
- Digital Photography on Paper
- Number of copies available 5
- Dimensions Height 11.8in, Width 11.8in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Still life
Ici la photo seule fait tout, pas de superpositions, pas de repeints, aucun autre traitement que celui de l’éclairage que permet, dans la plupart des cas, le noir et blanc, et une « mise en place », entre chorégraphie, et sculpture, dont elles deviennent l’une des formes pauvres possibles, en même temps empruntant à une gloire inédite.
Related themes
For about thirty years, she has been working in pictorial work, mainly with paper and ink. Black and white ink from the beginning; color, more recently. Work that she preferred not to show at first, except on the occasion of a few rare group exhibitions (Draveil, Fresnes, Courbevoie, late 90s). Which only took the form of solo exhibitions from 2003: Galerie Mantoux-Gignac (Paris), Galerie Alain Couturier (Nice), Galerie Daniel Duchoze (Rouen), Église Saint-Ouen de Longpaon. (Darnétal, “Rencontres: des lieux, des artistes, Agglomération de Rouen”). Her recent professional activity (portrait photographer of writers at Éditions Gallimard) put a temporary end to it.
She also carries out precise and concerted photographic work: striving to make “external” sculpture – sculpture considered “poor” or “minor” – altered by time and bad weather – “appear” and be seen. Funerary sculpture (the cemeteries of Paris), ornamental (the caryatids), or religious (the calvaries of Brittany), old dolls… This work only takes on meaning when related to her painting (the “figures” have common features) and to
the sculpture that she herself practices, but does not exhibit.
Catherine Hélie’s painting has given rise to a short catalogue, published by “Rencontres: des lieux, des artistes, Agglomération de Rouen”.
The work on Parisian cemeteries has given rise to several publications and studies; in the mainstream press (Télérama, etc.) as well as in specialist journals (Ligeia, special issue “Photography in vector”, analyzed by the philosopher Jean-Louis Déotte; etc.)
The photographic work of portraits of writers gives rise to countless publications.
- Nationality:
- Date of birth : 1963
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
Explore the history of art through AI
Visually similar works of art history
