Eran Iya Oshogbo 2 (2023) Painting by Cyril Emmanuel (X the Villain)
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fear of his childhood villain, Iya Oshogbo. Like I said, I am always hungry, so I have decided to do something about it.
I need you all to understand that I am just getting started. , it's either I set you free or i ensnare you, whatever your choice you definitely cannot escape me.
The prospect of death is a strong motivation.
Related themes
Cyril Oluwamuyiwa Emmanuel alias X the Villain, is a contemporary conceptual and performance artist based in Lagos, Nigeria. Drawing heavily from his Yoruba heritage and Egyptian ancestry, Cyril's work is deeply rooted in culture, reflected in his use of palm oil for paintings, and charcoal for sculptures.
Self-taught and inspired by Leonardo da Vinci, Tehching Hsieh, Yinka Shonibare, and Jean Michel Basquiat, Cyril developed a distinctive style that explores African identities, cultures, and global history. His artworks often depict society's outcasts, addressing themes such as identity crisis, discrimination, and mental health. As an advocate for human rights and environmental sustainability, he aims to create immersive and interactive experiences accessible to all, including individuals with disabilities.
In the realm of performance art, X the Villain’s work is a visceral exploration of societal fractures caused by discrimination, racism, and segregation. He immerses himself in the raw narratives of these issues, pushing the boundaries of performance art to provoke profound introspection. Through his performances, he aspires to dismantle preconceptions, instigate uncomfortable conversations, and inspire collective reckoning with the complexities of our shared humanity. Every gesture and movement is a deliberate act aimed at breaking down the barriers that divide us, urging audiences to confront the uncomfortable truths embedded in our social fabric.
- Nationality: NIGERIA
- Date of birth : 1995
- Artistic domains:
- Groups: Contemporary Nigerian Artists
Cyril Emmanuel, aka X the Villain: An artist at the crossroads of traditions and futures 
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