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Interview with Daniel Kei Wo: Exploring the Organic and Dynamic World of Modern Sculpture 6n5o1i
Art Magazine: Daniel, it’s a pleasure to sit down with you. In recent years, your work has been gaining remarkable attention in the international art scene, especially with your series like Harmony in Flux, Joy in Life, and Lifeforms. Could you start by telling us about the inspiration behind these pieces and what you aim to convey through them?
Daniel Kei Wo: Thank you; it's wonderful to be here. My work has always been rooted in the exploration of organic forms and the relationship between fluidity and structure. Harmony in Flux, for instance, emerged from my fascination with the balance and chaos that exist within natural forms. Life itself is a continuous process of change, growth, and adaptation, and I wanted this piece to evoke that dynamic energy. The polished surfaces invite viewers to see themselves as part of this natural harmony, as reflections merge with the sculpture’s curves, symbolizing our place within a larger, interconnected world.
Art Magazine: That sense of interconnectedness seems to flow through your entire Lifeforms series. There’s a very distinct organic quality to it—almost as if the sculptures are alive. What does this series represent to you?
Daniel Kei Wo: Lifeforms was born from a deep exploration of the structures and rhythms found in nature. I wanted to capture the essence of growth and transformation, which are inherent to all life. Working on Lifeforms, I allowed myself to think as nature might—organically and unpredictably. I used 3D printing and digital modeling techniques to bring this vision to life, experimenting with materials and forms that evoke both fragility and resilience. The result is a series that’s as much about the process as it is about the final form, encouraging viewers to see the hidden beauty in both the imperfect and the evolving.
Lifeforms#5 by Daniel Kei Wo
Art Magazine: That’s fascinating! Your recent piece, Joy in Life, has also garnered a lot of attention. There’s a warmth and playfulness to it that’s quite different from the more structured elements in Harmony in Flux. How did this work come about?
Daniel Kei Wo: Joy in Life is a personal favorite. I wanted to create something that embodies lightness and positivity—a reflection of simple moments of happiness. It’s less about the grand design of life and more about those fleeting instants that bring joy. The organic shapes and flowing curves represent spontaneity and freedom, almost like the laughter of a child. For me, this piece was a reminder to embrace the simple joys we often overlook. I intentionally gave it a high-gloss finish so that viewers can see themselves in it, to remind us all that joy, much like art, is a part of who we are.
Art Magazine: Your artistic journey has really evolved over the years, blending modern technology with traditional craftsmanship. How do you see your work within the broader context of contemporary sculpture?
Daniel Kei Wo: I think the world of sculpture is in an incredibly exciting place right now, where technology and artistry meet in unprecedented ways. My journey has been about bridging these two worlds. By using digital tools, I can push the boundaries of form and structure in ways that weren’t possible before, yet I still prioritize the tactile, almost primal, experience of sculpture. In many ways, I see my work as a dialogue between past and future, tradition and innovation. I hope to inspire others in the field to explore and embrace the unknown, as it’s in those spaces that we find the most profound expressions of human creativity.
Art Magazine: You’ve certainly been inspiring a new generation of artists. Do you have any projects or directions you’re excited to explore?
Lifeforms#6 by Daniel Kei Wo
Daniel Kei Wo: Absolutely! I'm currently working on a new series that delves deeper into the interplay between nature and artificial intelligence. I want to examine how AI can mimic organic life, and how that influences our perception of the natural world. It’s still in the early stages, but I’m excited to see where it leads. I believe this will further push the boundaries of what sculpture can be, blurring the lines between the digital and the organic even more.
Art Magazine: We can’t wait to see it. Thank you, Daniel, for sharing your journey and vision with us. Your work continues to expand our understanding of what sculpture can be in the modern world.
Daniel Kei Wo: Thank you—it’s been a pleasure to share my thoughts. Art, for me, is about connection, and I’m grateful to have this opportunity to connect with people through my work.
