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Ecstatic Light (2021) Painting by Darren Jekel

Oil on Canvas, 30x24 in
$2,233
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  1197 px  

1500 px
Dimensions of the file (px) 1197x1500
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Oil on Canvas
  • Dimensions Height 30in, Width 24in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Landscape
The title was inspired by the famous sculpture in Florence my Bernini, The Ecstasy of St Theresa. The portrait is similar, with heavenward gaze and suggestive pose of surrender. The figure is positioned low in the forground and the focal emphasis is first the landscape's horizon and second a surprizing double take. About this artwork: Classification, [...]
The title was inspired by the famous sculpture in Florence my Bernini, The Ecstasy of St Theresa. The portrait is similar, with heavenward gaze and suggestive pose of surrender . The figure is positioned low in the forground and the focal emphasis is first the landscape's horizon and second a surprizing double take.

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Painterly

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I love the messy brush that makes a neat stroke. An American artist, from the San Francisco Bay Area, I got to know Wayne Thiebaud at UC Davis. “Good artists borrow and great artists steal”, so with bright light [...]

I love the messy brush that makes a neat stroke. An American artist, from the San Francisco Bay Area, I got to know Wayne Thiebaud at UC Davis. “Good artists borrow and great artists steal”, so with bright light I stole his 'heavy brush' sensuality and his California color.  Oil is my preferred medium and I often mix it up with a kitchen blender, using eggs and other mixtures to make a mayonnaise-like medium that I call ‘emulsion’.   I experiment with materials restlessly- recklessly?  I stole Anselm Kiefer. Now, when I paint I feel like an alchemist searching for an unreachable prize- a paradise that I ache and pine for. I zoom in up close with a grid and graphically search and search. But of course, there is no paradise. Facing that truth is where the focus of much of my work comes through, with pictures that are physical, modern, earnest, and unsentimental. Originally my paintings were completely non-objective, abstract. They soon switched to landscapes with far off horizons and narratives of dark longing. Currently dancing females have emerged center stage and my painting appears to be moving beyond ‘post-modernism’ to a place less cynical and ironic. Now I am interested in a back to basics, meta-modern earnestness. But still the most astoundingly deep and existential thrill for me comes when I recognize that I have finished a painting and find that my art is not mine; it just grew on the wall.

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