© 1999 Darren Jekel
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Darren's Garden (1999) 绘画 由 Darren Jekel
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油在帆布上, 72x90 in
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This is an earlier painting of mine that is heavily influenced by Anselm Kiefer. It seems to be about humanity's failed efforts to order and control nature despite best intentions. Overtones of global warming are obvious. It is also about the tender angst of wanting beauty and happiness, but dissappointed. You can't go home again? There is no paradise? [...]
This is an earlier painting of mine that is heavily influenced by Anselm Kiefer. It seems to be about humanity's failed efforts to order and control nature despite best intentions. Overtones of global warming are obvious. It is also about the tender angst of wanting beauty and happiness, but dissappointed. You can't go home again? There is no paradise? This is a stunning, show stealing artwork for a large space.
‘Darren's Garden’ is an original, one of a kind artwork by Darren Jekel and it is signed and titled on the back. A Certificate of Authenticity is included.
Description: “This large painting has areas of bold texture and color across the canvas surface. It's striking colorful palette consists of blues, greens, and yellows.
Shipping: “This artwork is offered UN-STRETCHED and shipped rolled in a tube. It was carefully removed from it's original stretcher bars. This makes it more affordable and safer to transport because it does not have to be crated . When restretched on new stretcher bars supplied by the framer or diy, the painting imagery extends around the edges, which allows the painting to look great with or without a decorative frame.” NOTE: destinations closeby, within the SF bay area, may recieve free delivery including stetcher bars.
Master of Visual Art Degree - MFA, Maryland Institute, Mt. Royal School of Painting.
Bachelor Arts Degree – BA, University of California, Davis
Primary Influences: Wayne Thiebaud, who taught me how to oil paint at UC Davis; Renaissance; Raphael drawings; Post-Impressionists, Matisse & Van Gogh; Abstract Expressionists, Willem de Kooning & Cy Twombly; Neo-Expressionist, Anselm Kiefer; Currently I am not relating to Post-Modernism’s irony and I am exploring Meta-modern earnestness. I am interested in meaningfulness and not the ubiquitous decorative painting that is primarily meant to enhance the space it’s in.
Darren Jekel is married and fathers two daughters in northern California’s wine growing region.
‘Darren's Garden’ is an original, one of a kind artwork by Darren Jekel and it is signed and titled on the back. A Certificate of Authenticity is included.
Description: “This large painting has areas of bold texture and color across the canvas surface. It's striking colorful palette consists of blues, greens, and yellows.
Shipping: “This artwork is offered UN-STRETCHED and shipped rolled in a tube. It was carefully removed from it's original stretcher bars. This makes it more affordable and safer to transport because it does not have to be crated . When restretched on new stretcher bars supplied by the framer or diy, the painting imagery extends around the edges, which allows the painting to look great with or without a decorative frame.” NOTE: destinations closeby, within the SF bay area, may recieve free delivery including stetcher bars.
Master of Visual Art Degree - MFA, Maryland Institute, Mt. Royal School of Painting.
Bachelor Arts Degree – BA, University of California, Davis
Primary Influences: Wayne Thiebaud, who taught me how to oil paint at UC Davis; Renaissance; Raphael drawings; Post-Impressionists, Matisse & Van Gogh; Abstract Expressionists, Willem de Kooning & Cy Twombly; Neo-Expressionist, Anselm Kiefer; Currently I am not relating to Post-Modernism’s irony and I am exploring Meta-modern earnestness. I am interested in meaningfulness and not the ubiquitous decorative painting that is primarily meant to enhance the space it’s in.
Darren Jekel is married and fathers two daughters in northern California’s wine growing region.
相关主题
我喜欢用凌乱的画笔画出整齐的笔触。我认识 Wayne Thiebaud 是一位来自旧金山湾区的美国艺术家，在加州大学戴维斯分校。“好的艺术家借鉴，伟大的艺术家窃取”，所以我在明亮的灯光下偷走了他“厚重笔触”的性感和加州色彩。油画是我最喜欢的媒介，我经常用厨房搅拌机把它搅拌，用鸡蛋和其他混合物做成一种蛋黄酱般的媒介，我称之为“乳剂”。我不停地尝试各种材料——鲁莽？我偷了安瑟姆·基弗。现在，当我画画时，我感觉自己像一个炼金术士，寻找一个遥不可及的奖品——一个我渴望和向往的天堂。我用网格放大，用图形搜索和搜索。但当然，没有天堂。直面这一真理，正是我大部分作品的焦点所在，我的画作充满形体感、现代感、真挚而又不带任何感伤。最初，我的画作完全非具象，抽象。很快，它们转向描绘远方地平线和黑暗渴望叙事的风景画。如今，舞动的女性已成为我作品的中心，我的绘画似乎正在超越“后现代主义”，走向一个不那么愤世嫉俗和讽刺的境界。如今，我感兴趣的是回归本源，回归后现代的真挚。但对我来说，最令人震撼、最深刻、最存在主义的激动，依然来自于当我意识到自己完成了一幅画，却发现我的艺术并非属于我自己；它只是在墙上生长。 [...]
我喜欢用凌乱的画笔画出整齐的笔触。我认识 Wayne Thiebaud 是一位来自旧金山湾区的美国艺术家，在加州大学戴维斯分校。“好的艺术家借鉴，伟大的艺术家窃取”，所以我在明亮的灯光下偷走了他“厚重笔触”的性感和加州色彩。油画是我最喜欢的媒介，我经常用厨房搅拌机把它搅拌，用鸡蛋和其他混合物做成一种蛋黄酱般的媒介，我称之为“乳剂”。我不停地尝试各种材料——鲁莽？我偷了安瑟姆·基弗。现在，当我画画时，我感觉自己像一个炼金术士，寻找一个遥不可及的奖品——一个我渴望和向往的天堂。我用网格放大，用图形搜索和搜索。但当然，没有天堂。直面这一真理，正是我大部分作品的焦点所在，我的画作充满形体感、现代感、真挚而又不带任何感伤。最初，我的画作完全非具象，抽象。很快，它们转向描绘远方地平线和黑暗渴望叙事的风景画。如今，舞动的女性已成为我作品的中心，我的绘画似乎正在超越“后现代主义”，走向一个不那么愤世嫉俗和讽刺的境界。如今，我感兴趣的是回归本源，回归后现代的真挚。但对我来说，最令人震撼、最深刻、最存在主义的激动，依然来自于当我意识到自己完成了一幅画，却发现我的艺术并非属于我自己；它只是在墙上生长。
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