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Z.I. Ambert _mur jaune (2020) Painting by David Spanu

Acrylic on Linen Canvas, 23.6x28.7 in
$835.18
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  • Acrylic on Linen Canvas
  • Dimensions Height 23.6in, Width 28.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Urban
Avant d’arriver à Olliergues, en 2019 avec. mes valises, et mes pinceaux, mes yeux tout neuf, j’ai d‘abord. rangé mon désordre pictural, 28 ans de production. J’ai retrouvé le gôut et la joie de cette peinture à gros traits,. urgente, vivante, synthétique et sentimentale, la mienne. Mon goût pour les paysages industriels, leurs mystères et leur. esthétique [...]
Avant d’arriver à Olliergues, en 2019 avec
mes valises, et mes pinceaux, mes yeux tout neuf, j’ai d‘abord
rangé mon désordre pictural, 28 ans de production.
J’ai retrouvé le gôut et la joie de cette peinture à gros traits,
urgente, vivante , synthétique et sentimentale, la mienne.
Mon goût pour les paysages industriels, leurs mystères et leur
esthétique moderniste, contemporaine, presque inhospitalière me
pousse à les apréhender autrement, à en révéler leur beauté, leur
absence, leur règne et leur chute.

-Dave Algonlka_ Mad Men,saison 5, épisode 5_extrait
Lorsqu’il entendait certains ages de le 9ème de
Beethoven, Caw avait encore aujourd’hui l’envie de pleurer. Il
avait toujours penser que cela tenait à l’histoire de
l’oeuvre elle-même; il imaginait Beethoven sourd et
ténébreux, le cœur brisé, en train de noircir frénétiquement
sa portée pendant que la faucheuse patientait devant sa
porte en se coupant les ongles. A moins, se disait Caw, que
cela ne soit le fait d’habiter loin de la ville qui le
faisait pleurer. Il sentait que la campagne l’étouffait par
son silence et sa solitude.
A la longue les détails les plus ordinaires en devenaient
inable de beauté.

Paysage industriel _Ambert.

Related themes

Urbain

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Très tôt, comme un échappatoire, mon attention s’est déplacée vers l’enchantement que me procurait les formes et les couleurs, leurs rapports, leurs dialogues. Il y a eu la merveilleuse figurine animalière réalisée [...]

Très tôt, comme un échappatoire, mon attention s’est déplacée vers l’enchantement que me procurait les formes et les couleurs, leurs rapports, leurs dialogues. Il y a eu la merveilleuse figurine animalière réalisée par mon grand-père à l’aide de pommes de terre et d’allumettes. Mon goût pour la carte à gratter, le lundi matin en maternelle. Un intérêt grandissant (apaisant) pour les réalisations créatives, manuelles. Fasciné par les lieux et les matériaux abandonnés et leur possible réappropriation mentale, comme un espace de liberté que j’investis à l’aquarelle, en photographie, à l’acrylique, puis en créant des objets à base de récupération. Un vagabondage intuitif, autodidacte, indispensable. Influencé par une recherche de pairs, j’absorbe les univers artistiques en en reproduisant certains (pictural). Plus tard, je professionnalise mon activité “d’upcycling designer” tout en continuant de peindre et de fréquenter un atelier d’écriture. Mes goûts et mes recherches se conceptualisent, je deviens pleinement artiste-plasticien, consciemment, pluridisciplinaire. Je joue avec les objets, leurs sens, leurs possibles insolite, je créé des images et des propositions narratives, libres, vagabondes. David Spanu

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