Lease artwork "Traces" by Véronique Vigneron with an option to purchase 4t181q
Sculptures by Véronique Vigneron are available for lease with purchase option 4p4930
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Frequently Asked Questions 2j4b3k
What are the advantages of leasing works of art? 6o5348
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
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- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period? 86q3
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed? 6y1v6o
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end? 3i1ot
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

About the author 2f5v2t
Véronique Vigneron is a contemporary French sculptor who has been working in sculpture since the age of 12, alongside her career as a creator of Volumes Costumes, a profession she has pursued for over 30 years. Despite her ion for sculpture, this dream was not initially ed by her family environment, yet it remained her deep and enduring ion.
For the past two years, Vigneron has fully committed herself to sculpting in bronze, with 15 pieces completed and 9 others currently in production at the molder or foundry. Her work in bronze takes two distinct forms:
The first direction involves hollow bronzes, crafted from delicate 5mm bronze sheets. These sculptures represent incomplete human forms, often depicting bodies, faces, and scenes of movement, including dance. The patinas are carefully worked with gradients and marbling, and some pieces are gilded with gold leaf for added elegance. The anchor points of these works—such as toes or locks of hair—are executed with subtlety, and some sculptures are designed to be mobile on their bases, enhancing their dynamic nature.
The second direction of Vigneron’s work begins with sculptures molded from PU foam, which is then transformed into wax and ultimately cast in bronze. These pieces explore distended and gathered bodies that take on geometric shapes, with deliberate disproportions introduced into various parts of the body. Despite their abstracted forms, these sculptures are characterized by the elegance and roundness of their lines.
Through both approaches, Vigneron’s work is marked by harmony, softness, and fluidity—three concepts that she believes permeate all of her creations, reflecting her vision of balance and grace in the human form.
- Nationality:
- Date of birth : unknown date
- Artistic domains: Represented by a Gallery,
- Groups: Artists presented by a gallery