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'Lease artwork "Ajaxa" by Darren Jekel with an option to purchase 2b6a3g
Paintings by Darren Jekel are available for lease with purchase option g40i
Select your monthly installments: v4x5v
Leasing information request "Ajaxa" 124r3l
Us, a financing expert will get back to you within 24 hours: 6f1g72
Frequently Asked Questions 2j4b3k
What are the advantages of leasing works of art? 6o5348
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set? 3z183r
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period? 86q3
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed? 6y1v6o
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end? 3i1ot
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author 2f5v2t
I love the messy brush that makes a neat stroke. An American artist, from the San Francisco Bay Area, I got to know Wayne Thiebaud at UC Davis. “Good artists borrow and great artists steal”, so with bright light I stole his 'heavy brush' sensuality and his California color. Oil is my preferred medium and I often mix it up with a kitchen blender, using eggs and other mixtures to make a mayonnaise-like medium that I call ‘emulsion’. I experiment with materials restlessly- recklessly? I stole Anselm Kiefer. Now, when I paint I feel like an alchemist searching for an unreachable prize- a paradise that I ache and pine for. I zoom in up close with a grid and graphically search and search. But of course, there is no paradise. Facing that truth is where the focus of much of my work comes through, with pictures that are physical, modern, earnest, and unsentimental. Originally my paintings were completely non-objective, abstract. They soon switched to landscapes with far off horizons and narratives of dark longing. Currently dancing females have emerged center stage and my painting appears to be moving beyond ‘post-modernism’ to a place less cynical and ironic. Now I am interested in a back to basics, meta-modern earnestness. But still the most astoundingly deep and existential thrill for me comes when I recognize that I have finished a painting and find that my art is not mine; it just grew on the wall.
- Nationality: UNITED STATES
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Contemporary American Artists
