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原住民 (2022) Sculpture by Fengzhonyu
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這件藝術品以精湛的手工和純粹的天然材質創造出一幅文化與自然共存的畫面。珊瑚礁頭飾象徵著原住民文化與自然的緊密連結,充滿了深邃的歷史感與藝術價值,是值得收藏家細細品味與珍藏的瑰寶。
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一顆石頭,看似冷峻頑固,枯槁永遠。有時候,風格不朽,卻又世俗抗争,只是無言;有時候,是一種親切的介質,堅毅而至柔、自由而馳騁;有時候,是樸素,是一種自然、原始、澄清的美。不管是變得斑駁、褪色、粗糙也罷,或許會细心體會的渺若微塵,但是,都會變成不滅的生命脈絡。
每個雕刻都會無限遐想、慾望,或是激發一個虛擬、故事,或許想像原形構思。憑借過程的工藝,雙手都會有温度,讓一件一件成形生根,表情和意圖逐漸完善,傳達了顛覆的結果,無法復刻性而且獨一無二。
堅硬的石頭也能如泥如織,也能如鐵漢柔情。是褶皺和紋理的結合,是堅韌和精致的結合。簡單粗暴方式却賦予了柔情靈性的面貌,巧妙鏤、劈、敲、鑿的造型技法,運用木頭和鐵線的結拜,鑄造了「一切就好」。所以,每一件雕刻都带着自己的呼吸,會帶來一種何往而不遂。
雕刻一切随缘
常被我的視覺和詩意聯繫在一起,結果,石頭雕刻是屬於所有的自然和萬物。所謂自然,是一種瞬間與永恒之間,有限與無限之間,一切都不會無跡消失。所謂萬物,有生命和無生命,有情和無情,有感覺和無感覺,不會歸於塵土。雕刻作品主题是人物和動植物等等,廣闊無邊,是有存在感和生命感。所以,努力捕捉每一念瞬間、一個動作或一種感覺,讓它產生共鳴。
用石頭寫成的故事,展現出歷史脈絡與地方特色,有時候會凝固着時間的印記,有時候會流動行為之中。伴随着氣魄金戈鐵馬,也訴說着情懷文人墨客,有時候他們的生命是春天,有時候是寒冬;一方小小工作室,看遍千年芳華,勾勒不同歷史的人物。
女性故事會顯示細膩刻畫、體貼入微,以表情、姿勢和動作完善的雕刻。美學藝術為創作主題,形式表達具有文化、情感和審美,讓角色銓釋得淋漓盡致,讓魅力和形象完成說服。有時候是溫柔,有時又孤獨;有些是蓋花閉月,有些是端莊優雅。真的讓人見之不忘、思之如狂。
自然是非原生,會說話是非無言。鳥獸魚蟲的生動憨態可掬、活靈活現、絲絲入扣,仿佛真的有了思維和情感,悲歡和自在。花草樹木,綠葉滿枝也有落盡殘紅,有青有黃好像雕塑,千年磨削也會完刻。褪色、粗糙,在不足完滿見充足;劣化、缺陷、讓樸實本色的完美。恰到好處,一切就好,一切随缘。
頓悟
攏之在內,一種簡略、自然克制。張之在外,時空無限、唯美深遠。雖由人作,渾然忘我,痕迹泯然于石頭之中,即便是一條注定孤獨的道路,有所熱愛,便能心之所向。所有的審美,不僅要悦目,還要能賞心,更能追求的頓悟。
野生的代表是驚奇、感嘆,或是豢養的匠人、職人,「會說話的石頭」是等於野生。
風中游 12/2023
- Nationality: TAIWAN
- Date of birth : 1959
- Artistic domains:
- Groups: Contemporary Taiwanese Artists
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