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腐愛 #2 (2025) Digital Arts by Francisco Tabakman (Frankly Tired)

Fine art paper, 11x8 in

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Usage: Web Licence
Using the image on a website or on the internet.
  1050 px  

1500 px
Dimensions of the file (px) 1050x1500
Use worldwide Yes
Use on multi- Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
Products intended for sale No
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  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Erotic Nudes
Inspiré par Justine ou les Malheurs de la vertu About this artwork: Classification, Techniques & Styles. Hyperrealism. Painting which expresses, by means of representation, external reality in a very realistic way. Technic Digital Arts. Digital art refers to a diverse set of creative categories using the specifics of language and digital devices, computer, [...]
Inspiré par Justine ou les Malheurs de la vertu

Related themes

Sangre

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My work is a critique of the conventional and a challenge to the habitual, going beyond what is commonly displayed in galleries focused on decorative art. Art must transgress, address, and confront the issues [...]

My work is a critique of the conventional and a challenge to the habitual, going beyond what is commonly displayed in galleries focused on decorative art. Art must transgress, address, and confront the issues of our society in order to build a better world; I firmly believe that art should be more than depicting painted houses, pretty vases, and fruit in a bowl.
My pieces reflect violent, cruel, erotic, and even vulgar characters, addressing worlds ignored by the more privileged social classes. They are born from dialogue and friendships with the mentally ill, the hungry, those exiled by dictatorships, and the socially displaced. From this exchange, and in conjunction with my own experiences, images cross and concepts merge, giving rise to surreal and dreamlike illusions filled with horrible, nightmarish situations that give voice, form, and color to these figurative worlds.
I present dark landscapes, industrial and liminal spaces, where surprising, horrible, and occasionally marvelous elements fall incessantly. Nothing is safe or reliable. Just as Francis Bacon studied movement in search of a more cerebral figuration, I also incorporate the cruel aspects of society and the human decay that characterized Francisco de Goya’s work.
My creations act as mirrors, reflecting situations marked by intrusive and enraged thoughts. Through them, I explore horrors, disillusionments, and the desolation of those who, like me, have clashed with a society incapable of understanding the different and the unheard. My purpose goes beyond mere creative exercise; I seek to honor those who have lost the battle against depression, anxiety, and other mental conditions, while also sharing my own struggle.
I strive to imbue my works with a deeper dimension, inviting the viewer to appreciate the neurodivergent and extraterritorial perspective. Through these challenges and reflections, I provoke an introspective analysis of past experiences, connecting with emotions that perhaps have yet to be explored by the audience.
Mine is a technical approach to art, rarely seen in the national scene, if not entirely unprecedented.

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