“艺术”在纸上打印
生产时间： 1-2个工作日
后固定： 带钉，胶带或胶粘剂的安装选项 (不提供)
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时，他们都会获得使用费。
关于我们的优良打印购买许可证以将此图像用于您的网站、通信或销售衍生产品。
Usage： 网络许可证
在网站或互联网上使用图像。
| 1024 px | ||
 |
1024 px |
| 文件尺寸 (px) | 1024x1024 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
购买后立即下载
此图片可以用许可证下载: 您可以随时下载它们。
限制
所有在ArtMajeur的图像是由艺术家创作的原创作品，所有权利是严格保留的。获得许可证后有权根据相应条款使用或利用图像。可以进行微小的修改，如重构或重新聚焦图像，使其完全符合新项目要求，但是，禁止进行任何可能损害原始作品的修改。其完整性（形状修改，扭曲，切割，改变颜色，添加元素等），除非事先从艺术家获得书面授权。
定制许可证
如果您的用途不在我们的标准许可证范围内，请联系我们获取定制许可证。 艺术图片银行
- GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 艺术品状况 艺术品状况良好
- AI生成的图像 艺术家利用人工智能技术创作了这幅图像
- 分类 灵性
PROMPTLY PERPLEXED. A lone philosopher wanders toward the edge of existence, guided not by reason but by his own fragmented reflection. The infinite regression of the self, captured in the recursive loop of the selfie stick, raises an unsettling question: is he documenting his journey, or is the journey merely a consequence of his documentation? This [...]
PROMPTLY PERPLEXED
A lone philosopher wanders toward the edge of existence, guided not by reason but by his own fragmented reflection. The infinite regression of the self, captured in the recursive loop of the selfie stick, raises an unsettling question: is he documenting his journey, or is the journey merely a consequence of his documentation?
This is a visual meditation on the fragile relationship between perception and reality, between the thinker and the thought. The desk and chair, symbols of intellectual rigor, remain behind, abandoned in favor of the infinite mirror of digital self-contemplation. The crumbling platform suggests that in this pursuit of self-image, the foundation beneath one's feet may no longer matter. Is this an absurd comedy, or a tragic prophecy? Perhaps both.
This image emerged somewhere between intention and accident. The prompt had a clear direction, but the execution carried an element of unpredictability, a glitch-like distortion of the expected.
And that does put a new spin on philosophy: If a glitch produces meaning, was it ever truly an accident? Is randomness just another form of intent? The act of interpreting the glitch, of giving it weight, is itself an assertion of meaning. In a way, it mirrors the way we assign significance to chaos in life—finding patterns where none were deliberately placed, constructing narratives around errors.
This piece, then, stands right at the intersection of human reasoning and machine serendipity. A philosophical paradox rendered in pixels.
A lone philosopher wanders toward the edge of existence, guided not by reason but by his own fragmented reflection. The infinite regression of the self, captured in the recursive loop of the selfie stick, raises an unsettling question: is he documenting his journey, or is the journey merely a consequence of his documentation?
This is a visual meditation on the fragile relationship between perception and reality, between the thinker and the thought. The desk and chair, symbols of intellectual rigor, remain behind, abandoned in favor of the infinite mirror of digital self-contemplation. The crumbling platform suggests that in this pursuit of self-image, the foundation beneath one's feet may no longer matter. Is this an absurd comedy, or a tragic prophecy? Perhaps both.
This image emerged somewhere between intention and accident. The prompt had a clear direction, but the execution carried an element of unpredictability, a glitch-like distortion of the expected.
And that does put a new spin on philosophy: If a glitch produces meaning, was it ever truly an accident? Is randomness just another form of intent? The act of interpreting the glitch, of giving it weight, is itself an assertion of meaning. In a way, it mirrors the way we assign significance to chaos in life—finding patterns where none were deliberately placed, constructing narratives around errors.
This piece, then, stands right at the intersection of human reasoning and machine serendipity. A philosophical paradox rendered in pixels.
相关主题
Friedrich Ursprung 是一位专业摄影师和数字艺术家。他将自己定义为自由奔放的偶像破坏者。. 他的作品是从抽象到明确的折衷主义，关于自我参照享乐主义的时代。他将自己的形象相乘以创造一个新形象. Friedrich Ursprung 是一位自拍狂热的摄影师。他在旧金山学习方法表演，在洛杉矶学习讲故事. 国籍: 瑞士. 出生日期 : 未知日期. 艺术领域： 专业艺术家的作品,
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