At the beach (2024) 数字艺术 由 Irene Nekrasova
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
关于艺术家! 您可以帮助艺术家活出自己的生活。 每当您购买印刷品时，他们都会获得使用费。
关于我们的优良打印购买许可证以将此图像用于您的网站、通信或销售衍生产品。
Usage： 网络许可证
| 1500 px | ||
 |
1500 px |
| 文件尺寸 (px) | 1500x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
购买后立即下载
此图片可以用许可证下载: 您可以随时下载它们。
限制
所有在ArtMajeur的图像是由艺术家创作的原创作品，所有权利是严格保留的。获得许可证后有权根据相应条款使用或利用图像。可以进行微小的修改，如重构或重新聚焦图像，使其完全符合新项目要求，但是，禁止进行任何可能损害原始作品的修改。其完整性（形状修改，扭曲，切割，改变颜色，添加元素等），除非事先从艺术家获得书面授权。
定制许可证
如果您的用途不在我们的标准许可证范围内，请联系我们获取定制许可证。 艺术图片银行
- GicléePrint / 数字打印 在帆布上
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 艺术品状况 艺术品完好无损
- AI生成的图像 艺术家利用人工智能技术创作了这幅图像
- 分类 海滩
Together, the trio embodies the essence of carefree childhood, their laughter and play echoing through the salt-tinged air. The beachscape is alive with the sounds of the sea, the warmth of the sun, and the boundless joy of youth, creating a moment of shared happiness and connection that lingers in the heart long after the day has ed.
相关主题
Irina Nekrasova based in Moscow, Russia.
Member of the Creative Union of Artists of Russia, member of the Eurasian Art Union, member of the Union of Russian Artists.
I would like to express positive emotions in my artworks: things or people that inspire me. I’d rather not depict any social problems or depressing things. There is so much anguish and misery in the world that people, to my mind, need more positive emotions to be able to overcome hardships of the modern world. Yes, I do believe in the saying by Dostoyevsky: “Beauty will save the World” …and love and kindness as well, I’d rather add. It is beauty and kindness I’d like to attract people’s attention to, not ugliness in all its aspects.
I’ve been always interested in drawing and painting. But I started developing as an artist much later, when my children grew up and I had more time to myself.
Over 12 years ago I decided to study art seriously at the school of academic drawing and painting. After training, attended painting classes with professional artists, applying the gained knowledge in practice and constantly improving my level of skill.
At the same time, I studied traditional Chinese painting Guo Hua (Xie-Yi) under the guidance of Russian and Chinese teachers, and subsequently used my skills, creating paintings in traditional and modern styles.
Being an interpreter by education enabled me to travel a lot around many countries and continents, which satisfied my curiosity about the world and broadened my vision. I visited the best museums and got aquatinted with European and American Art where I could see the amazing works by well-known artists with my own eyes, was eager to absorb the majestic impressions of their skillful brush strokes.
I gave my heart to the Russian artists of the XIX and XX centuries: Aivasovsky, Kuindzhy, Roerich, Serov, Vereshchagin, and French impressionists: Manet, Renoir, Degas. I’d love to believe I took a little atom of skills from each of them.
Hence, I tried accumulating many cultural traditions and integrate tradition and our time to create my artworks. New trends are also interesting to me.
I use oil and acrylics in my works. I love to experiment with brushes and palette knives, with different media.
As I often use oil, the creative process can take quite long. First, I need to think over the whole composition, the theme, all the details and then start painting. The moment of applying colours onto the canvas makes me thrill: I wonder what the result will be. And sometimes it is absolutely unexpected.
通过人工智能探索艺术史
视觉上相似的艺术史作品
