"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1024 px | ||
 |
1024 px |
| Dimensions of the file (px) | 1024x1024 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
immediately upon purchase
This image is available for with a licence: you can them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please us for a custom licence. Art image bank
- Giclée Print / Digital Print
- Dimensions Several sizes available
- Several s available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Boat
The blue bodies float in isolation, each on their own “island” — stripped of landscape, context, or connection. They seem to drift… but toward what? This isn’t water. It isn’t air. It’s something else — maybe digital, maybe psychological.
The red background pulses — like flesh, like tension.
It’s a space where you can’t drown, but you also can’t escape. Where everyone looks the same — and that sameness is haunting. In the “Omuty” series, I reflect on what screens and filters have done to us. On the loss of individuality. On the viral spread of one ideal face.
They look like bodies.
They look alive.
But they’re not breathing.
Related themes
Irina S. Egorova (pseudonym Marmichka)
Biography
Born in 1982 in Moscow, in 2022 she left Russia and now lives in Phuket, Thailand.
Contemporary artist, graphic designer, and educator.
Education
RSUH, Art History, Master’s Degree, 2019Moscow Museum of Modern Art (MMOMA) School of Contemporary Art, Free Workshops, 2018Moscow State Pedagogical University (MSPU), Graphic Design, 2016Moscow State Open University (MSOU), Psychology, 2004
Artistic Path
I have been drawing for as long as I can . I am fascinated by various directions in contemporary art — from comics to photography. This interest allows me to push the boundaries of my perception and discover new artistic approaches. Each of my works is a unique expression of my vision and style, crafted to evoke an emotional response from the viewer.
My work is deeply influenced by the art of the ancient Aztecs, which has left a significant imprint on my worldview since childhood and continues to inspire my creations.
In my projects, the female body is represented as a kind of construct, allowing me to explore its forms and create unique combinations that reveal the beauty and complexity of feminine nature. Self-portraits hold a special place in my art, serving as a tool for deep self-exploration. In each line and color, I strive to express my emotions and inner world, turning personal experiences into visual art.
I often work in mixed media, using primary colors — red, blue, and yellow — to create vibrant, multi-layered compositions. Recently, I have been actively incorporating digital techniques, blending traditional and modern approaches to expand the boundaries of my self-expression.
Key Projects
The “Omuty” Series (2017-2022)
The “Omuty” (Whirlpools) series is a visualization of my fears and reflections on immersion in the whirlpool of digital reality, where the lines between real and fake life are blurred. In this series, I explore the transformation of humanity, particularly the feminine essence, under the influence of the internet and the virtual world.
Each painting symbolizes the shift from reality to a world of pixels, code, and bytes, where individuality disappears, and people become part of a digital system. Vivid colors, especially blue, represent the internet, highlighting the contrast between the real and virtual, between the depth of emotions and the superficiality of the digital world. The project also raises questions about imposed beauty standards and the pursuit of a uniform image, leading to the loss of individuality.
- Nationality: RUSSIA
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Russian Contemporary Artists
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