No matter how you twist it — it always turns into a body. (2025) Digital Arts by Irina Egorova
"Fine-Arts" prints on paper
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Glossy finish
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Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
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1264 px |
| Dimensions of the file (px) | 848x1264 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
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- Giclée Print / Digital Print
- Dimensions Several sizes available
- Several s available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Conceptual Art
Sometimes I think I’m going to create something abstract or maybe even a funny little animal…
And then — boom! — it’s hips, knees, abs and a butt again.
The truth is, I just really love transforming the female body. Stretching it, bending it, reimagining it.
This time it turned out somewhere between a gymnast, a cartoon figure, and maybe an iron?
Anyway — plasticity is everything.
Related themes
Irina S. Egorova (pseudonym Marmichka)
Biography
Born in 1982 in Moscow, in 2022 she left Russia and now lives in Phuket, Thailand.
Contemporary artist, graphic designer, and educator.
Education
RSUH, Art History, Master’s Degree, 2019Moscow Museum of Modern Art (MMOMA) School of Contemporary Art, Free Workshops, 2018Moscow State Pedagogical University (MSPU), Graphic Design, 2016Moscow State Open University (MSOU), Psychology, 2004
Artistic Path
I have been drawing for as long as I can . I am fascinated by various directions in contemporary art — from comics to photography. This interest allows me to push the boundaries of my perception and discover new artistic approaches. Each of my works is a unique expression of my vision and style, crafted to evoke an emotional response from the viewer.
My work is deeply influenced by the art of the ancient Aztecs, which has left a significant imprint on my worldview since childhood and continues to inspire my creations.
In my projects, the female body is represented as a kind of construct, allowing me to explore its forms and create unique combinations that reveal the beauty and complexity of feminine nature. Self-portraits hold a special place in my art, serving as a tool for deep self-exploration. In each line and color, I strive to express my emotions and inner world, turning personal experiences into visual art.
I often work in mixed media, using primary colors — red, blue, and yellow — to create vibrant, multi-layered compositions. Recently, I have been actively incorporating digital techniques, blending traditional and modern approaches to expand the boundaries of my self-expression.
Key Projects
The “Omuty” Series (2017-2022)
The “Omuty” (Whirlpools) series is a visualization of my fears and reflections on immersion in the whirlpool of digital reality, where the lines between real and fake life are blurred. In this series, I explore the transformation of humanity, particularly the feminine essence, under the influence of the internet and the virtual world.
Each painting symbolizes the shift from reality to a world of pixels, code, and bytes, where individuality disappears, and people become part of a digital system. Vivid colors, especially blue, represent the internet, highlighting the contrast between the real and virtual, between the depth of emotions and the superficiality of the digital world. The project also raises questions about imposed beauty standards and the pursuit of a uniform image, leading to the loss of individuality.
- Nationality: RUSSIA
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Russian Contemporary Artists
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