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| 1203 px | ||
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1500 px |
| 文件尺寸 (px) | 1203x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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相关主题
In my artistic exploration, the concept of duality serves as the cornerstone for investigating the human essence and its perpetual transformations. The choice of the diptych, a work composed of two separate s, is not accidental. Initially, it was the separable heart pendant that inspired me, a symbol that appears in many cultures, where two halves unite and separate, creating a deep and dynamic bond. This concept evoked the idea of a duality that, even in separation, retains its unity. Just like in the symbol of Yin and Yang, where opposites unite and separate, the heart pendant that divides and reunites became the starting point for my work. The diptych thus becomes the preferred expressive form because it reflects the concept of union and division that permeates human existence. It is not merely an aesthetic choice, but a manifesto of my artistic vision. Beyond its simple form, the diptych becomes a symbol of my way of interpreting and representing the complexity of existence. I transform the concept of "division" into a harmonious synthesis of opposites: body and soul, separation and connection, fragmentation and unity. In each work, division is never final, but rather a dynamic condition awaiting reconciliation, much like the heart that separates and reunites, revealing the continuous search for balance between opposites.
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