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Golden lines on Lilac Surface (2024) 拼贴 由 Lynda Rosemarie Stevens
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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I was born in the UK but since 1996 have lived and worked in Budapest, Hungary, and I now have Hungarian as well as British citizenship. I began my creative path at the age of 19 and to begin with was totally self-taught and it was always the aim to let images and impressions from within come more or less spontaneously. For me, the whole process has always represented a kind of 'soul work.' In the 1980's however, I did attend two fairly rigorous two-year part-time courses - the one diploma in painting at leamington College of FE and a Certificate in Craft Materials at Coventry University. These introduced me to several new techniques and a deeper understanding of art history.
I work mainly with mixed-media pieces on board using an array of material ranging from glass fragments, fabric pieces and wax. I am fascinated by materials that reflect and use a myriad of gold hues, silvers and luminescents against matt backgrounds.
I also create mixed-media paper collages, again, usually in A4 size. In these, I tend to employ a bastardised marbling technique for the background and then work into each composition using ink pen, gel pens, metal flakes and fragments of other paper, or materials with either holographic or luminescent surfaces.
Several pieces of mine are represented by the Szentendre-based, virtual MiDo Galéria.
I am actively involved in the alternative Budapest art scene, currently being a member of Művész Terem, through which there are yearly opportunities to exhibit, and where I also have a page showing ten of my works. I am also part of a well-established life drawing group, through which I have had the opportunity twice now to participate in two group exhibitions at prestigious venues.
Whilst in Coventry, England in the late 80's and early 90s, I exhibited regularly with an assorted group of artists called the 'Dream Illustrators' based near the city centre, as well as putting on solo exhibitons. I also lived in Brighton from 1994-1996 and exhibited with the Best Cave Gallery in several group exhibitions.
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