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Ode to Beirut – Figure 1 (2020) 拼贴 由 Manar Ali Hassan

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  • 拼贴 在其他基材上
  • 外形尺寸 17.3x12.2 in
    单独工作的尺寸,不带框架: 高度 16.5in, 宽度 11.7in
  • 是否含画框 这件作品是诬陷
  • 分类 暗黑情节
关于这件艺术品: 分类, 技术技巧 & 款式. 丙烯. 使用传统颜料与合成树脂混合的油漆。. 拼贴. 拼贴是一种艺术创作技术,包括通过组合各种元素来制作塑料作品:或多或少平面材料,如印刷油布、绘画或素描、报纸摘录与文本和照片、纸画、文件、各种物体浅浮雕等。当创作中包含浮雕元素时,也可以说是组合。这还包括胶合纸,它使用各种纸张,包括报纸和绘图技术。. 技术 拼贴. 拼贴是一种艺术创作技术,包括通过组合各种元素来制作塑料作品:或多或少平面材料,如印刷油布、绘画或素描、报纸摘录与文本和照片、纸画、文件、各种物体浅浮雕等。当创作中包含浮雕元素时,也可以说是组合。这还包括胶合纸,它使用各种纸张,包括报纸和绘图技术。. 相关主题. RevolutionLebanonBeirutExplosion.

相关主题

Explosion

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Manar Ali Hassan is an emerging artist from Beirut, Lebanon. She obtained her master’s degree in Visual Arts in 2019. Her ongoing work revolves around reshaping identities in the shadow of an unescapable painful [...]

Manar Ali Hassan is an emerging artist from Beirut, Lebanon. She obtained her master’s degree in Visual Arts in 2019. Her ongoing work revolves around reshaping identities in the shadow of an unescapable painful body. Her work was exhibited at ArtLab gallery, Lebanon in 2019 and at STOA collective, Dublin in 2020.

Ode to Beirut is a visceral reaction to the Beirut blast that took place on August 4, 2020. It queries the notion of collapsing space and time into one image. The analogue of the unescapable event is reshuffled as a trapped succession of distortions, where the figures representing a painful body are dissolving into several fields and breaking up, hinting at the devastated city. The semi-transparent background is an ellipsis that reveals nothing, yet suggests the possibility of seeing other realms. All the while taking into consideration the emotional states that could be conveyed by not rendering the event as we see it, but as we experience it emotionally, hoping to find in these isolated caged figures empowering forms to contemplate.

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数字艺术 标题为“Untitled 10” 由Manar Ali Hassan, 原创艺术品, 数字拼贴
数字艺术 | 13.8x9.8 in
US$642.8
数字艺术 标题为“The wanderer - JALA…” 由Manar Ali Hassan, 原创艺术品, 数字拼贴
数字艺术 | 13.8x9.8 in
US$642.8

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