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SUMMIT (2024) Painting by Mea N. Ambrozo
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| 1223 px | ||
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1500 px |
| Dimensions of the file (px) | 1223x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Depuis 15 ans, elle expérimente plusieurs techniques et matériaux.
Les oeuvres abstraites de Mea Ambrozo sont le produit d'un travail instinctif, au geste aléatoire et maîtrisé. Le blanc, le noir, les couleurs, sont très sobres et imperceptibles au premier abord. Son projet est essentiellement monochrome. Son processus créatif est conceptuel, le point, la ligne, le dripping.
"Si l'on regarde mes œuvres dans leur diversité, leurs successions apparaissent non comme une fatalité, mais comme l'exercice d'une liberté maîtrisée. Les couleurs, les valeurs, la luminosité de la peinture ne sont pas fixes et invariables sur la toile mais sensibles aux variations de la lumière projetée sur l'œuvre et au déplacement du spectateur. L'absence de couleurs fortes évidente permet de regarder plus attentivement l'œuvre."
Le Monochrome
Le monochrome met en évidence l'interdépendance de l'œuvre d'art et de son contexte. L'Oeuvre minimaliste n'est pas uniquement décorative. Elle permet une interaction directe avec son environnement.
Mea Ambrozo est inspirée par des grands maîtres comme Robert Ryman. Son travail lui a ouvert la voie du minimalisme. La liberté de changer une certaine lecture de l'art abstrait.
Le Blanc
Mea Ambrozo ose travailler le Blanc comme couleur unique.
Elle s'inspire de la peinture américaine et notamment la New York School of abstract expressionism.
Pierre Soulages et Russell Connor. Ensemble, ils envisagent la part d'indicible que recèle la création artistique et la trinité de l'œuvre : l'artiste, la matière et le regard du spectateur.
Le Noir
Soulages dit :"Je ne veux pas dépeindre mais peindre. Pas représenter mais présenter".
Related themes
Mea Ambrozo is a contemporary artist based in . Her work sometimes takes place inside an architectural decor with a cold design. She examines the link that unites reality and its pictorial representation. The artist's work also revolves around the influence that cinema can exert on our perception of reality. The implication and the participation of the spectator in the work of the artist contribute to the mental or physical course of its architecture. The relationship that has been built between the interior of the home and the surrounding landscape is questioned by the artist. She also questions the audience's position in the world and how they relate to the specific place.
- Nationality:
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
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