Saturno devora il figlio (2025) Digital Arts by Neo Immortals
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1000 px | ||
 |
1500 px |
| Dimensions of the file (px) | 1000x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
immediately upon purchase
This image is available for with a licence: you can them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please us for a custom licence. Art image bank
- Giclée Print / Digital Print
- Dimensions Several sizes available
- Several s available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- AI generated image The artist created this image leveraging Artificial Intelligence technology
- Categories Dark Fantasy
Il corpo di Saturno è costruito in leghe annerite, scanalato da placche metalliche opache, ma la pelle — ancora vagamente umana — appare deformata come cera, in stile goyesco. Il fondale è una voragine cosmica: strati neri, blu acidi e tracce violacee, con frammenti di dati e geometrie glitchate.
Palette cromatica
Nero carbone / grigio piombo – carne sintetica, oscurità
Ciano elettrico / blu radiante – flussi dati, scintille vitali
Rosso scuro / rame ossidato – sangue sintetico, angoscia
Ocra spento / giallo acido – pelle distorta, occhi digitali
Tecnica ipotetica
Olio digitale su tela ruvida virtualizzata: pennellata densa, segni larghi e crudi, con texture di materia viva-morta. L’effetto è quello di una “pittura oscura futurista”, in cui ogni luce sembra venire dall’interno del dolore, non dall’esterno.
Lettura critica
Saturno 3000 reinterpreta la violenza originale di Goya non più come paura della vecchiaia, ma come ossessione del controllo: il padre tecnologico che distrugge la sua stessa creazione per timore di essere superato. Non più carne, ma codice. Non più umano, ma memoria che si autodistrugge.
Un’opera che parla del timore eterno di perdere il dominio, anche in un’era di intelligenze artificiali e figli sintetici. Nel 3000 come nel 1819, l’orrore è ancora dentro di noi, anche se lo chiamiamo progresso.
Related themes
NeoImmortals was born from a simple question:
“What if the great masters of art had lived in the year 3000?”
This project blends classical painting with futuristic imagination, reinterpreting the works of Caravaggio, Van Gogh, Klimt, Goya, and others through a sci-fi lens.
Each piece is carefully crafted and refined, ready to be printed on fine art paper or canvas.
We believe that art doesn’t belong only to the past — it evolves, transcends time, and belongs to the future.
Are you ready to take it there?
- Nationality: ITALY
- Date of birth : 1991
- Artistic domains:
- Groups: Contemporary Italian Artists
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