Le peuple de l'herbe (2024) 绘画 由 O.M.A.

After having left the Doctor, I spent the rest of the day with Fabian; we had gone to the stern, which Pitferge called 'walking in the country.' There alone, and leaning over the taffrail, we surveyed the great expanse of water, while around us rose the briny vapours distilled from the spray; small rainbows, formed by the refraction of the sun's rays, spanned the foaming waves. Below us, at a distance of forty feet, the screw was beating the water with a tremendous force, making its copper gleam in the midst of what appeared to be a vast conglomeration of liquefied emeralds, the fleecy track extending as far as the eye could reach, mingled in a milky path the foam from the screw, and the paddle engines, whilst the white and black fringed plumage of the sea-gulls flying above, cast rapid shadows over the sea.

Here opened the pit containing the machinery of the paddle-wheels, and I had an opportunity of looking at this irable locomotive engine. About fifty workmen were scattered on the metallic skylights, some clinging to the long suction-pumps fixing the eccentric wheels, others hanging on the cranks riveting iron wedges with enormous wrenches.

Everything was finished by evening; not a trace of mud was visible on the well-swept boulevards, for an army of sweepers had been at work. There was a full cargo; provisions, goods, and coal filled the stewards' room, the store, and the coal houses. However, the steamer had not yet sunk to the load water-line, and did not draw the necessary thirty-three feet. It was an inconvenient position for the wheels, for the paddles not being sufficiently immersed, caused a great diminution in the speed.

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