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Aucun obstacle n'arrêtera la flamme (2024) Digital Arts by Pierre Peytavin

Fine art paper, 7x12 in

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Usage: Web Licence
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  857 px  

1500 px
Dimensions of the file (px) 857x1500
Use worldwide Yes
Use on multi- Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • AI generated image The artist created this image leveraging Artificial Intelligence technology
  • Categories Sport
About this artwork: Classification, Techniques & Styles. Technic Digital Arts. Digital art refers to a diverse set of creative categories using the specifics of language and digital devices, computer, interface or network. It has developed as an artistic genre since the early 1960s. As a growing number of digital artists got involved, Digital arts [...]

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I was born in 1934. Since college age I have always drawn in a desire to communicate with the desire to do better than what I had as a model. useful claim to sur myself. I first reproduced according to photos [...]

I was born in 1934. Since college age I have always drawn in a desire to communicate with the desire to do better than what I had as a model ... useful claim to sur myself. I first reproduced according to photos of portraits of artists of my time in pencil or ballpoint pen. Not to exhibit but to furnish my leisure. Then I moved on to oil painting on canvas or any medium...To be able to pay for my supplies I "practiced" so-called "food" painting: reproductions of all kinds, postcards, landscapes of my region, even going as far as copying master paintings (ex: MILLET's gleaners, FRAGONNARD's reader, RENOIR's cake mill, LHERMITE's harvesters' pay...) Being a teacher by profession, I don't I sold my works only to invest in the material but at all times I kept the paintings which I considered to be my "personal production". My last public exhibition in Nîmes dates from 1990, and today I would like to highlight and possibly sell the hundred works that I keep.....I mainly focused on topical subjects, having a scope " universal".Ex: smoking, ecology, human relations, derision....

My guestbook is my best advocate.

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