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Rhythmic Ghosts in the Chronosphere of the Timeless N°5 (2025) Photography by Redrumstudio

Photography, 40.9x60.6 in
$1,751.75
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Artwork signed by the artist
Certificate of Authenticity included
  • Manipulated Photography on Paper
  • Number of copies available 7
  • Dimensions Height 40.9in, Width 60.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Dance
Late one night, drifting between sleep and wakefulness, I dreamt of ethereal figures — graceful girls dancing in slow, fluid arcs, as if moved by an unseen tide. They performed a ritual I couldn’t comprehend, something ancient, something magical. I strained to see their faces, to understand their form, but they remained blurred, as though they existed [...]
Late one night, drifting between sleep and wakefulness, I dreamt of ethereal figures — graceful girls dancing in slow, fluid arcs, as if moved by an unseen tide. They performed a ritual I couldn’t comprehend, something ancient, something magical. I strained to see their faces, to understand their form, but they remained blurred, as though they existed in a realm just outside the edges of focus.

Just when the dream began to dissolve, they stopped. All of them turned toward me, their eyes deep as memory itself. “Who are you?” I asked. And in a voice woven of wind and silence, they answered in unison: “We are rhythmic ghosts, lost in the chronosphere of the timeless.”

This photograph was born from that dream. Captured in a fleeting moment where motion meets stillness, light brushes against form, and reality dances with illusion. Printed in a limited edition on fine art paper, this image invites the viewer to step gently into that in-between world — where time slows, and meaning whispers from the shadows.

***

Printing Materials: Hahnemühle Fine Art Paper
Printed with 2 cm white border.
Image Size: 149,8 x 100 cm
Paper Size: 153,8 x 104 cm
Comes with a certificate of authenticity.

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I the first time I saw "Paris, Texas". I the first time I listened to "Blue" by Joni Mitchell. I my first encounter with the cinema of David Lynch, Stanley Kubrick, Takeshi Kitano. I those Christmas seasons when I stayed up late watching films. I the raw visual violence of Francis Bacon’s work.  
All these memories have built something inside me. And photography is a way to let something from "that" something rise to the surface.

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