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Rhythmic Ghosts N°1 - Trembling Shadow of Two Gymnasts (2025) 摄影 由 Redrumstudio

摄影, 40.9x40.9 in
US$1,401.97
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  • 操纵摄影 在纸上
  • 可用份数 7
  • 外形尺寸 高度 40.9in, 宽度 40.9in
  • 艺术品状况 艺术品完好无损
  • 是否含画框 此作品未装裱
  • 分类 舞蹈
Part of the series: "Formigine, May 2025 – Rhythmic Ghosts Are Still Dancing in My Mind.". Captured during a rhythmic gymnastics competition in Formigine, near Maranello (home of the Ferrari team), this photograph explores the ethereal beauty of motion. Through intentional camera settings, each frame blurs the line between athleticism and dream, transforming [...]
Part of the series: "Formigine, May 2025 – Rhythmic Ghosts Are Still Dancing in My Mind.". Captured during a rhythmic gymnastics competition in Formigine, near Maranello (home of the Ferrari team), this photograph explores the ethereal beauty of motion. Through intentional camera settings, each frame blurs the line between athleticism and dream, transforming movement into visual poetry.

Available in multiple sizes and formats. The one shown here is my personal recommendation.

***

It was late. The hour when the world forgets its shape. Somewhere between sleep and not-sleep I saw them—
girls moving slow through a pale light, their limbs cutting arcs in the dark like water under some old moon.

They danced a pattern I did not know. Not new. Not made for me. It had no name I could name.
Their bodies blurred at the edges. Not from speed, but from distance. From time maybe.

I watched. I tried to see their faces. Tried to see anything.
But they were like smoke given grace.

And then they stopped. All of them.
They turned toward me. Their eyes were not eyes but mirrors. Or maybe wells.

I said, Who are you.

And their voices came together in one breath,
soft and dry and final.

We are rhythmic ghosts.

***

Printing Materials: Hahnemühle Fine Art Paper
Printed with 2 cm white border.
Image Size: 100 x 100 cm
Paper Size: 104 x 104 cm
Comes with a certificate of authenticity.

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Mystical Moment

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I the first time I saw "Paris, Texas". I the first time I listened to "Blue" by Joni Mitchell. I my first encounter with the cinema of David Lynch, Stanley Kubrick, Takeshi Kitano. I [...]

I the first time I saw "Paris, Texas". I the first time I listened to "Blue" by Joni Mitchell. I my first encounter with the cinema of David Lynch, Stanley Kubrick, Takeshi Kitano. I those Christmas seasons when I stayed up late watching films. I the raw visual violence of Francis Bacon’s work.  
All these memories have built something inside me. And photography is a way to let something from "that" something rise to the surface.

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