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'Matter of Heart' - 240330.5 (2024) Digital Arts by Rosemary Collard

Fine art paper, 8x11 in
  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Abstract
'Matter of Heart' is a digital montage/collate assembled in Photoshop - the blending of a photo of leaf strewn ground and a constructed vector form created in Adobe Illustrator. It was originally inspired by my recent interest in using the elements of fire, water, earth and air in my work. This one is obviously about fire and earth. However, although [...]
'Matter of Heart' is a digital montage/collate assembled in Photoshop - the blending of a photo of leaf strewn ground and a constructed vector form created in Adobe Illustrator.
It was originally inspired by my recent interest in using the elements of fire, water, earth and air in my work. This one is obviously about fire and earth. However, although it was intended to be purely abstract illusory work, the final result seems to resemble an aorta. After reading one definition - 'The Aortic Root, the transition point where blood first exits the heart, functions as the water main of the body' I could well have been using it as the theme for the work.

Related themes

Illusory

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Rosemary Collard (b.1948, d.2025) was an abstract digital artist. Born and raised in Western Australia, she later moved to Tasmania, Australia. Inspired by the work of Kandinsky, her long-held goal was to develop [...]

Rosemary Collard (b.1948, d.2025) was an abstract digital artist.  Born and raised in Western Australia, she later moved to Tasmania, Australia.

Inspired by the work of Kandinsky,  her long-held goal was to develop an abstract style of her own.

An advocate of the art of subconscious doodling, she began most work in this manner,  creating what appeared to be random chaos.  The challenge was to create a plausible image from this starting point. Titles were important and often revealed as the work progresses.   

She made the transition from physical to digital art after seeing its potential in the mid-1990s.  Since then, she had worked exclusively on the computer, developing her skills and artworks, contract works and commissions.



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