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Le cygne et sa progéniture (2023) Digital Arts by Stephane Pruvot

Fine art paper, 11x8 in

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$340.44
Usage: Web Licence
Using the image on a website or on the internet.
  1083 px  

1500 px
Dimensions of the file (px) 1083x1500
Use worldwide Yes
Use on multi- Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Bird
Digital Painting représentant un cygne avec ses deux cygneaux au bord de l'eau About this artwork: Classification, Techniques & Styles. Technic Digital Arts. Digital art refers to a diverse set of creative categories using the specifics of language and digital devices, computer, interface or network. It has developed as an artistic genre since the [...]
Digital Painting représentant un cygne avec ses deux cygneaux au bord de l'eau

Related themes

Digitalpainting

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My father painted when he was young and worked as a photoengraver, but I think he was never really an artist but rather a craftsman, in fact he also likes painting ;popular art and was an apprentice in photoengraving [...]

My father painted when he was young and worked as a photoengraver, but I think he was never really an artist but rather a craftsman, in fact he also likes painting ;popular art and was an apprentice in photoengraving at a very young age. I was immersed in this environment, throughout my adolescence, I would come home from school to my father's office, and I would see him working. My mother was a leader for a theater group for children in an association in her town. When I was young, I was able to make music and draw early. With my brother we bought our first computer in 1980 it was a Sinclaire with 8 kilobytes of RAM, my first drawings I made with a TO7 70 (Thomson brand computer), with a stylus on the #039;screen. Afterwards I had an Amiga computer which I found at the School of Plastic Art in Cergy Pontoise. I really started painting after failing my Baccalaureate and taking lessons with the American painter Mildred Thomson in 1985. My current work and the reinterpretation of digital images that I find on the Internet or networks social (I also sometimes take digital photos). I have my color code; always the same color palette, which also allows me, I hope, to be recognized. I work with a mouse, I don't look for detail, and I prefer flat colored areas, it was Matisse who gave me this desire, with his cut-out gouache papers.

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