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The scream (2023) 绘画 由 Tony Rodriguez(Juan Antonio Rodriguez Ol
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A woman stands at the center of the composition, her face contorted in a visceral scream. The expression is ambiguous — a blend of fear, astonishment, and perhaps bitter irony. Atop her head sits an apple pierced by an arrow, an unsettling nod to the legend of William Tell. Yet this is not a tale of heroic precision. Here, the arrow becomes a metaphor for violence - sudden, unjust, and imposed from the outside.
Her headscarf, patterned with buildings, holds deep symbolic weight. It evokes destroyed Palestinian cities, lost homes, and erased urban memory. She wears her homeland, her grief, and her story — woven into the very fabric of her identity.
But this scream is not only hers:
It is the scream of the displaced, of the mothers mourning their children, of communities silenced by war, occupation, and global indifference.
In the context of human rights, The Scream functions as both a denunciation and a memorial.
It does not offer answers, but it demands questions. It reminds us that amid the noise of the world, there are voices still crying out for justice.
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Tony Rodríguez (b. 1980, Santiago de Cuba, Cuba)
Painter | Illustrator | Art teacher
Tony Rodríguez is a Cuban-American artist known for his monumental paintings that explore the relationship between technology, artificial intelligence, and social disconnection. He holds a degree in Art Education and a Master of Science in Art Education from the University of Oriente in Santiago de Cuba. Throughout his career, he has worked as a painter, illustrator, and curator.
His work is characterized by bold compositions and aggressive drawing techniques, where structures such as towers, buildings, and machines symbolize human history and experience. Often referred to as "the painter of reflection", Rodríguez invites viewers to critically analyze contemporary society.
He has exhibited in Cuba, the United States, the Dominican Republic, and several European countries. His work has been featured in the Havana Biennial and is part of prestigious collections, including Imago Mundi (Luciano Benetton Collection) and the Miami Hispanic Cultural Arts Center. He has also served as a juror in visual arts competitions and worked for many years as an art professor.
Currently, he lives and works in Miami, Florida.
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