Green Whispers of the Forest Lord: Moss, Mist, and Memory (2025) 绘画 由 Violeta Allaberdieva
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
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纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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| 1042 px | ||
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1500 px |
| 文件尺寸 (px) | 1042x1500 |
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Whispers of the Forest Lord is a visual trace of the forest’s breath—where moss, damp earth, and the spirit of an ancient woodland guardian converge into a mystical, organic abstraction. This work doesn’t merely depict nature; it embodies it, as though the viewer peers beneath the surface of the earth into the landscape’s living dream.
The palette—lush pine green, turquoise moisture, smoky taupe—evokes a sense of alchemical transformation. The central form unfurls like a root system or a memory-map of the forest, with lines that lead into the unknown. Translucent, flowing edges resemble early morning fog, concealing and revealing the presence of something unseen—perhaps the silent gaze of the forest lord himself.
The alcohol ink technique here serves not spontaneity, but stillness. The artist intuitively guides the medium, allowing it to speak for itself. In this dialogue, a landscape is born—one not found on any map, yet profoundly familiar to the subconscious. The piece speaks to the forest as an archetypal space: a keeper of memory, a site of transformation, and a vessel of quiet power.
Visually and conceptually, this work resonates with the legacy of Helen Frankenthaler, the textured gravitas of Anselm Kiefer, and the contemplative depth of Pat Steir. It also finds kinship with contemporary eco-abstraction as seen in the work of Zaria Forman, offering a new path into tactile, emotional abstraction.
相关主题
Violeta lIdarovna Allaberdieva was born in 1989,in Kazakhstan. And grew up in Kazakhstan and Russia she was educated in Russia, America and Italy.
"Her education has nothing to do with art, she has never studied at conservatories, universities or art schools and she has never taken any courses. But Violetta has read books and observed nature, looked how father was creating pictures, and in moments of boredom she created them for herself. First by pencil in a notebook, and then she switched to canvases. Her father persuaded her to paint with oils and to try something new (acryl, watercolours, etc.) and thus saved Violetta from boredom. So she found a way to relax and discover the world of wonders in paints and canvases.
For her, art means no boundaries, no bounds, and no bonds. It is pure emotions. It's the place where she says no to painting clichéd pictures, even if there is a chance to earn millions. She paints what she feels, sees, what she reads, what she dreams of, what she is afraid of, what she is fighting for or against.
Like everybody in this world, she is looking for harmony and place, where she can safely be herself and do something incredible not only for herself, but also for all those who touch beauty. Who touch art and everything connected with it. And now this balance was found and thrown out on canvases, decorated with flowers, like with the finest work of embroidery, with the sea, which keeps secrets and treasures that cannot be imagined even in the most sophisticated fantasy.
The titles are usually straightforward, because the master most of all wants to convey the idea that our life is a miracle, and there is so much incredible and beautiful in the simplest things that you don't need to give them fabulous names. Life and nature are gifts themselves, and are as natural as breathing or heartbeat.
No to boundaries!!! And those that exist are beautiful in their diversity and sometimes instability. A picture in a house, according to the artist, is a mirror in which we paint ourselves and our lives, we see ourselves, even if we cannot tell anyone about it. And the beauty of the pictures is that they are all beautiful, they just need to be understood as people and any other things in this world
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