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'通过购买选项租赁Marilena Zahiu的作品“ The Presence Of Absence ” 6c668
Marilena Zahiu的画作可通过购买选项进行租赁 365l3
选择您的每月还款额： 1a11j
索取租赁信息 "The Presence Of Absence" 72mj
联系我们, 融资专家将在24小时内回复您： 3t606y
常见问题 5s341c
What are the advantages of leasing works of art? 6o5348
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set? 3z183r
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period? 86q3
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed? 6y1v6o
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end? 3i1ot
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者 342r34
Through art I try to capture emotions, thoughts and experiences that go beyond traditional constraints. My inspiration is drawn from the world around me, whether it’s the vibrant beauty of nature or the complexity of human relationships. Working in the studio allows me to constantly explore and evolve. It is an adventure of personal discovery and development, experimenting new materials, techniques and concepts. The process of creation is just as fulfilling as the final work.I expres my feelings painting what I know – figures (human and animal), still life and landscape, but with a different personal approach, in an abstract line, in a chromatic out of conventional patterns. I quickly move from a realistic to the abstraction and stylization of the real shapes we are used to. Stylization, unlike idealization, is not aimed to beautify, but to emphasize its characteristics by eliminating non-essential particularities. The purpose of transforming the organic shape into an abstract, synthesized one, has the role of revealing the inner, divine part, resulting as a way of spiritual communication. I build the compositional elements singularly, introducing them in various combinations, creating for each work an ensemble of sketches (shapes and colors), which I organize into a single large shape whose role is to transmit the compositional message.
