Textile Art titled "Trone No.1" by Andreea Talpeanu, Original Artwork, Tapestry

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Trone No.1 (2012) Textile Art by Andreea Talpeanu

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1500 px
	1500 px

Dimensions of the file (px)	1500x1500
Use worldwide	Yes
Use on multi-	Yes
Use on any type of media	Yes
Right of reselling	No
Max number of prints	0 (Zero)
Products intended for sale	No

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Fabric on Object

Artworks classification

One of a kind (OOAK / Original Artwork)

One-of-a-kind works of art are also known as “OOAK” artworks. This means that every work of art is unique and there will never be another identical one.
Dimensions Height 43.3in, Width 27.6in
Categories Politics

Cette oeuvre de la serie Chaises musicales a ete offerte a Karsten Grave dans une intervention artistique imprevue a la galerie Karsten Grave le 5 Octobre 2016. About this artwork: Classification, Techniques & Styles. Tapestry. Technique for creating a fabric made on a loom or by hand, whose weaving represents ornamental patterns. Embroidery. Technique [...]

Cette oeuvre de la serie Chaises musicales a ete offerte a Karsten Grave dans une intervention artistique imprevue a la galerie Karsten Grave le 5 Octobre 2016.

About this artwork: Classification, Techniques & Styles

Tapestry

Technique for creating a fabric made on a loom or by hand, whose weaving represents ornamental patterns.

Embroidery

Technique which consists in adding on a fabric a flat or relief pattern made of simple threads, sometimes by integrating materials such as sequins, pearls or even precious stones.

Thread

Technique consisting in creating a work based on textile threads and which can be decorated by adding color or material.

String Art

Technique consisting of an arrangement of threads generally stretched by nails to create geometric shapes or representations.

Fabric

Technique consisting in creating a work based on fabrics and which can be decorated by adding color or material.

Technic Textile Art

Textile arts refer to the forms of art and crafts that use industrial or animal fabrics, or man-made or natural fibers to construct practical or decorative and artistic objects. Textile arts include manufacturing methods such as weaving for fabric, or spinning for wool, cotton, or man-made fibers; techniques for transforming these materials, such as sewing for fabrics (with more artistic forms such as patchwork or quilting), knitting, crochet, braiding or knotting for threads. There are also methods of embellishing or modifying manufactured textiles, such as embroidery, dyeing or applying lace.

Related themes

Satire

Andreea Talpeanu

Andreea Talpeanu, born in 1982, lives and works in Paris. Growing up in Romania in the 1980s and then being confronted with wild capitalism after the revolution has led the artist to an unconventional type of expression. Her work involves sculptures, paintings, installations and drawings, and her current research focuses on the notion of connection, of syncretism between different parts of the contemporary system. The use of thread plays an important role in her creation: it is a mode of expression from ancient times, used deliberately to describe the incessant mutations and hyper-reactivity of the current world.

This weaving gesture of the artist — falsely innocuous — expression of his confrontation with the world, turns out to be a way of constituting a whole, a true political statement regarding the waste that modernity produces. The objects used in his sculptures are the organs of a body that metabolize both our natural, libidinal, impulsive and consumerist aspect, as well as the hyper surgical transformation and types of submission to suspect authoritarian structures. These obsolete objects are both the relics of a dead society and the structure of our current social mutation. The body, in the acceptance of the "whole", is only the fruit of paradoxical fusions, which takes on meaning under a slow temporality: sewing.

Although the artist was influenced by Arte Povera, Abstract Expressionism and Dada, she aims to educate hypermodernism in art and sculpts the contours of this new movement. Her works represent both a critique and a revaluation of modernism, at the same time as they decline two other particularities of hypermodernism: recycling and syncretism. Deeply rooted in the questioning of the current world, the artist, like a columnist but with a lot of poetry, uses and incorporates obsolete objects to create new bodies and materials. Recycling being one of the most important prerogatives of the new march of the world, Andreea Talpeanu adapts to this new philosophy of life to better connect disciplines, ideas, segments of the contemporary