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Escarpin léopard de dos (2023) Painting by Elisabeth D'Equainville

Acrylic on Linen Canvas, 28.7x23.6 in
$2,462.71
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One of a kind
Artwork signed by the artist
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Ready to hang
This artwork is framed
Mounted on Wood Stretcher frame
  • Acrylic on Linen Canvas
  • Dimensions 33.9x28.7 in
    Dimensions of the work alone, without framing: Height 28.7in, Width 23.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Everyday Life
Étant sculpteur, mon sujet favori, étant les escarpins, j’ai voulu revenir à la peinture classique pour faire cette chaussure que j’aime beaucoup. Je l’ai placé dans un vieux cadre doré, assorti à la peinture pour qu’elle ait un côté encore plus authentique. About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments [...]
Étant sculpteur, mon sujet favori, étant les escarpins, j’ai voulu revenir à la peinture classique pour faire cette chaussure que j’aime beaucoup.
Je l’ai placé dans un vieux cadre doré, assorti à la peinture pour qu’elle ait un côté encore plus authentique.

Related themes

Peinture Classique

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Élisabeth d'Equainville, born in 1954, is a French artist based in Nice. She left aside her true ion for fashion design to start a short career as a window dresser, but she missed drawing and eventually ed [...]

Élisabeth d'Equainville, born in 1954, is a French artist based in Nice.
She left aside her true ion for fashion design to start a short career as a window dresser, but she missed drawing and eventually ed a school of fresco painters. She carries out numerous projects on the Côte d'Azur, decorative painting, facades, trompe l'oeil, etc...
She opens her own workshop on the heights of Nice to devote herself entirely and definitively to her ion and live it to the full.
Her paintings are fleshed out with material and resin and after a few exhibitions begin to sell.
Then she gradually comes to 3D and attacks sculpture. Self-taught in this field, she searches, gropes, perfects herself to finally find her way, which suits her best: resin.
As in her paintings, one theme predominates: the Pump. For what ? Fetish object? Relentless ion for fashion? The artist's small stature? No one knows, but Elisabeth shakes up the codes of fashion, luxury and originality so that each of her works tells a story.


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