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De l'autre côté - 2 (2025) Photography by Gaspard De Gouges

Photography, 15.8x15.8 in
$2,371.41
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  1500 px  

1500 px
Dimensions of the file (px) 1500x1500
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Ready to hang
This artwork is framed
  • Digital Photography on Paper
  • Dimensions 16.5x16.5 in
    Dimensions of the work alone, without framing: Height 15.8in, Width 15.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Landscape
La scène s'ouvre sur une mer Méditerranée d’un calme absolu, qui occupe le premier plan de l’image. L’eau, semble plus minérale que liquide car elle reflète intégralement la roche aux couleurs chaudes. Il n’y a pas d’horizon visible : la mer ne mène nulle part, ou plutôt elle s’ouvre sur l’indéfini, sur l’inconscient. Elle est là, frontale, close, [...]
La scène s'ouvre sur une mer Méditerranée d’un calme absolu, qui occupe le premier plan de l’image. L’eau, semble plus minérale que liquide car elle reflète intégralement la roche aux couleurs chaudes. Il n’y a pas d’horizon visible : la mer ne mène nulle part, ou plutôt elle s’ouvre sur l’indéfini, sur l’inconscient. Elle est là, frontale, close, comme un seuil.

Au second plan, face à nous, une barque en bois sombre, silencieuse, est accostée à un quai bas en pierre de taille. Ce quai, noyé dans l’ombre, est absorbé par l’obscurité d’un monde intérieur. La barque est vide, mais sa présence est lourde de signification — elle évoque un age, une traversée, une attente figée dans le temps.

À droite, un second quai, plus élevé, baigne dans une lumière oblique, dorée et mélancolique. Sur ce promontoire de pierre taillée, une statue se dresse : une femme, des femmes immobiles, drapées à l’antique, portant une vasque.

Tout cet ensemble architectural — les quais, la statue, les escaliers invisibles — est adossé à une paroi rocheuse imposante. Cette paroi est percée de niches creusées à la main, d’un style antique. Certaines évoquent des sanctuaires, d'autres, plus profondes, ressemblent à des tombeaux. On ne sait s’il s’agit de lieux de culte, de mémoire ou d’oubli. Leur agencement irrégulier dans la roche accentue l’idée d’un monde ancien, sacré, dont le sens s’est perdu.

La photographie, toute en clair-obscur, joue sur les contrastes de lumière et d’ombre pour faire émerger une atmosphère de seuil : un lieu entre le réel et le mythe, entre la vie et la mort, entre la matière et le rêve. Elle ne montre pas la fin d’un voyage, mais le lieu d’un age — un purgatoire méditerranéen figé dans le silence.

Related themes

Île

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Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint large format [...]

Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint large format figurative canvases, group portraits. Since 2021 he has devoted himself to photography, which has become a game for him, a kind of motionless journey.

"I started photographing scenes when I was 10 years old, with very realistic toys and models that I built with stalks of dry grass, miniature vehicles. For a long time I wanted to photograph islands, to their dreamlike power, I love to travel there and their memory persists. Their existence plunges us into an elsewhere. I imagined them tropical, but it is on mineral and Mediterranean islands that I finally decided to evoke. My approach is to create stagings, artificial but plausible, realistic landscapes. I create imaginary worlds, sometimes containing ruins, at least rocks that sometimes make me think of fortresses. These landscapes surprise me and always give me a lot of pleasure to create. "

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