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Anomaly A0185423 (2023) Digital Arts by Gustavo Castillo

Fine art paper, 12x7 in

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  843 px  

1500 px
Dimensions of the file (px) 843x1500
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  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Graffiti
Anomaly A0185423 manifests as a balloon-like entity, its vibrant turquoise hue blending seamlessly with the urban landscape. It prowls the shadowy alleys, masquerading as innocent balloons, luring unsuspecting prey into its trap. With a mouth adorned by rounded fangs and four dark, soulless oval eyes, it exudes an aura of eerie fascination. Its presence [...]
Anomaly A0185423 manifests as a balloon-like entity, its vibrant turquoise hue blending seamlessly with the urban landscape. It prowls the shadowy alleys, masquerading as innocent balloons, luring unsuspecting prey into its trap. With a mouth adorned by rounded fangs and four dark, soulless oval eyes, it exudes an aura of eerie fascination. Its presence is announced not by a mere visual sighting, but by the unmistakable sound of a basketball bouncing, echoing through the labyrinthine corridors of the city.

This enigmatic creature epitomizes the desperation that permeates the underbelly of urban society, embodying the struggles and anxieties of those marginalized and forgotten. Much like the marshmallows depicted in the series, it seeks solace amidst the chaos, yet finds itself ensnared in the web of its own existential turmoil.

As it glides through the nocturnal realm of the cityscape, it serves as a haunting reminder of the relentless march of urbanization, where innocence is corrupted, and desperation lurks in the shadows. Its medium-level aggression reflects the delicate balance between survival and savagery in this concrete jungle, where every encounter is a precarious dance on the razor's edge of existence.

Related themes

Street Art

Automatically translated
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Oglinda, es un "bioatista" con formación en ingeniería en audio e ingeniería molecular. Su obra hibrida elementos orgánicos con tecnología, desde microorganismos hasta tejidos vivos, arte plástico y arte digital, [...]

Oglinda, es un "bioatista" con formación en ingeniería en audio e ingeniería molecular. Su obra hibrida elementos orgánicos con tecnología, desde microorganismos hasta tejidos vivos, arte plástico y arte digital, de modo que sus desarrollos lo han llevado a colaborar con la misión espacial ARTEMIS y el proyecto Moongallery Project, exhibiendo su escultura en la Estación Espacial Internacional y será el primer artista mexicano en exponer en la Luna. 

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