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Crâne au pull jaune (2024) Drawing by Laurent Mangepapier

Gouache on Paper, 9.8x6.9 in
$256.56
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Fine art paper, 11x8 in

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  • Gouache on Paper
  • Dimensions Height 9.8in, Width 6.9in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Portrait
Mystère, légende, trace du é, de notre é. avec une technique utilisant le pointillisme, une forme d'enluminure notamment sur le sol et le ciel. Pour le peintre de la patience pour poser ses petits points. Pour le regardeur, un peu de douceur. About this artwork: Classification, Techniques & Styles. Gouache. The substances are diluted with water [...]
Mystère, légende, trace du é, de notre é ... avec une technique utilisant le pointillisme , une forme d'enluminure notamment sur le sol et le ciel. Pour le peintre de la patience pour poser ses petits points. Pour le regardeur, un peu de douceur ...

Related themes

Pointillisme

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Artiste pluridisciplinaire maniant le pinceau et le crayon depuis toujours, l’univers artistique de Laurent Mangepapier s’apparente de prime abord à de l’art naïf, où le figuratif saute aux yeux, tout comme la [...]

Artiste pluridisciplinaire maniant le pinceau et le crayon depuis toujours, l’univers artistique de Laurent Mangepapier s’apparente de prime abord à de l’art naïf, où le figuratif saute aux yeux, tout comme la couleur, franche et vive. Une certaine candeur se dégage des formes arrondies et douces, finement rehaussées d’une multitude de pointillés Plus qu’un ornement, ceux ci s’enrichissent de symboles, d’inscriptions, de signes primitifs Le regard peint fixe et captive les mains, ouvertes et tendues comme des offrandes, invitent à entrer dans la danse .  Laurent Mangepapier travaille sur de nombreux s papier, bois, ardoises, mannequins de couture, qui prennent sous ses doigts des allures enchanteresses pour nous emmener sur ses chemins de prédilection la mort, la féminité, l’Histoire, les mythes, sont les thématiques qui lui sont chères . L’œuvre conjugue les têtes de mort en pose espiègle, les visages sages à l’horreur ensanglantée, ou des volutes délicates entourant des pierres tombales Loin de la gravité angoissante et sombre d’une évocation funèbre, la grande faucheuse a des airs de calavera mexicaine à l’allure plaisante, tantôt drôle, tantôt enjolivée de broderies fleuries . Les femmes ont une place privilégiée tout au long de l’aventure artistique de Laurent Mangepapier Tantôt fées, tantôt sorcières, parfois humaines, douces ou porteuses d’une blessure, elles se font reines et envoûtantes, consolantes et puissantes . Çà et là, le spectateur rencontre des légendes, des symboles, des ages oubliés de l’Histoire qui se veulent moins être une critique facile de notre société qu’un engagement à la réflexion personnelle . Les portraits font face, parfois auréolés d’or, tels des icônes au doux parfum byzantin . Les anges et les saints livrent leur message ésotérique à qui saura le décrypter .

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