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Identify me ( pot head II) (2020) Painting by Oyejide Obidare Hezekiah
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- Acrylic on Canvas
- Dimensions Height 60in, Width 48in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Conceptual Art
Medium:Acrylic on canvas ,
Size:4feet by 5feet,
Year:2022.
Ladi KWALI was taught this art by her aunt when she was only a child, using a traditional procedure known as the Gwarin Yamma coiling and pinching method. In quite a short time, Ladi Kwali began making different kinds of pots such as the large pots used as water jars and cooking pots, made bowls and others.
Ladi Kwali isn’t known to have received any form of formal education whilst she was growing up, but she was so good in her pottery that her brother said; “even in the early years of pottery making, Ladi Kwali excelled in the crafts and her wares were often sold even before they were taken to the markets”.
It was during this time that Michael Cardew, a man appointed by the British colonial government as pottery officer to the Department of Commerce and Industry in 1951 first saw Ladi’s work in the Emir of Abuja’s house, Alhaji Suleiman Barau, he was so impressed that he made plans to mee her.
Mr Cardew went on to establish a pottery training centre in Abuja (now Suleja), in April of 1952. In 1954, Ladi ed the centre as the first female potter of the institution where she learned the art of wheel throwing, glazing, kiln firing, production of saggars, and the use of slip. Within a short period of time, Ladi Kwali took up the position of instructor.
She was good at making designs with sgraffito decoration, for which made bowls. This involved dipping vessels in red or white slip and using a quill from porcupines to scratch the decoration through the slip to the underlying body. At the start of her professional career, her cultural background and immediate environment influenced her art which made her create pottery pieces of Gbagyi connotations as well as displayed with personal idioms.
There was an obvious display of symmetrical finishing in her works that is said to have highlighted a form of mathematical undertone. With the role of instructor, by the time Mr Michael Cardew left the training centre, there were four new females that enrolled in the centre to learn pottery.
Despite being known to have no form of formal education before ing the training centre, Ladi Kwali was appointed to be a resource person of the Abuja pottery training center, Ahmadu Bello University, Zaria, Kaduna State; and has demonstrated her skills and prowess in some institutions in Europe and America.
My biography
Obidare Hezekiah (B.1995) is a Nigeria-based visual artist, A painter, from Osun state . Hezekiah comes from a long line of local pottery culture. He graduated with B.A(ed), Obafemi Awolowo University (ACE Ondo) Nigeria in 2022. Whose artwork is base on painting with all medium but majorly Acrylic and oil paint.
Hezekiah works is a documentation of history yet untold about the importance,usefulness and glory pot has brought to my society which is my cultural heritage , much more than utensil values.
Drawing inspirations from his culture and people in his environment. He captures the deferent form of Pot and using it as human being head to testifying the important of Pot more than house utensil. He is intentionally about painting pot as head raise questions around important of Pot and to unveil history yet on told that contributing to the society and human life generally.
Hezekiah art work Is created to promote, invoke,awake and bring back to life of some forgotten culture,so that it invention ideas, lifestyle and design are displayed on my canvas.
- Nationality: NIGERIA
- Date of birth : 1995
- Artistic domains:
- Groups: Contemporary Nigerian Artists
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