memoire-de-sable< memory of sand.jpg Painting by Rbio

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Brand: ARTMAJEUR
Rating: 4.9 (12745 reviews)

Original

Mixed Media, 39.4x27.6 in

$1,399.2

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This artwork appears in 10 collections

Oil

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 39.4in, Width 27.6in
Categories Abstract

Technique mixte sur fond enduit. Tout est couleur tout est coulure. Peint sans pinceau. La mémoire du sable avant que la falaise ne s'écroule. About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments mixed with synthetic resins. Gouache. The substances are diluted with water and rendered pasty and opaque by [...]

Rbio

Rbio, painter and photographer, embarks on an artistic journey where patience, additions, and wonder guide him. In this quest, he explores the territories where all the impressionists have preceded, seeking to dissolve the absolute in everything and nothing, to capture color within lived tonality, to reveal the unspeakable in everyday life, and to finding rarity in greatness.

His art is nourished by the absorption of nuance by the fragment, the reconstitution of the whole by shattering and dispersion. He approaches the unity of perception by exploring the tingling of sensations, while moving forward in time, similar to the pattern of sounds on a pianist's melodic line.

With every step, Rbio adds a glimmer of hope, more hues to every color, and more green to every rustle of leaf, branch, and tree. It inscribes so many clarity and constraints in the palette of nature and living things. Its artistic skin and adornment are constantly reinvented to keep pace with the renewal of perceptions, even if they are subject to the taint of the pangs of mediocrity.

Rbio tirelessly attempts to master the pure matter, dissolution, and perpetual fission of each element of his artistic work. He seeks to maintain the fusion of interlacing and exalted hues. However, by dint of careful retouching of every detail, he risks confusing his inescapable need for an artistic dream with reworked fictional realities.

Throughout his artistic exploration, Rbio penetrates deeper into the world of the tiny, where each fractal smiles and takes on its personality. Little by little he manages to perceive the path which guides him towards the barbaric and dazzling transcription of all percepts. In this process, he discovers the tangled hues of the undergrowth which suddenly emerge after the relative darkness of the high forests.