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Fragment Of An Hulot Or True Love Fetish (1998) Sculpture by Wilf Tilley

Not For Sale

Seller Wilf Tilley

  • Plastic
  • Dimensions Height 6.5in, Width 4.3in
  • Artwork's condition The artwork is in very good condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Humor
A fragment of an "Hulot" or true love fetish – companion piece to the model also displayed on the artist's ArtMajeur site: "A unique, divided Hulot or true love charme mentioned in Scot's "The discoverie of witchcraft (1584)". Both models are attributed to the collection of one Semper College, Oxford, with a note on their acquisition from the Academy [...]
A fragment of an "Hulot" or true love fetish – companion piece to the model also displayed on the artist's ArtMajeur site: "A unique, divided Hulot or true love charme mentioned in Scot's "The discoverie of witchcraft (1584)". Both models are attributed to the collection of one Semper College, Oxford, with a note on their acquisition from the Academy of Lagado, Balnibarbi: a reference to Part III of Jonathan Swift's Gulliver's Travels (first published 1726). Emotionally, the fragment unlike its two-faced companion is of a disagreeable disposition since "The course of love never did run smooth" (Shakespeare, AMND, Act 1, scene 1). Made of clay, the fetish has a single, baleful, acrylic eye. Signed verso with catalogue number and date. The composite picture shows both the lid with its descriptive label and the open box with the fragment, approximately 6 cm in diameter, in paper packaging.

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Wilf Tilley

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Wilf Tilley (Prof. Michael W. Miller) was born in the North of England and began his career as an actor, age 16, with the National Youth Theatre at The Old Vic in a production of Antony and Cleopatra in which [...]

Wilf Tilley (Prof. Michael W. Miller) was born in the North of England and began his career as an actor, age 16, with the National Youth Theatre at The Old Vic in a production of Antony and Cleopatra in which Helen Mirren played Cleopatra and he carried a spear. “Wilf Tilley” (a combination of parental names) was part-adopted for a first solo exhibition at the AIR Gallery, London, when he was 27. Following an MA degree at the Royal College of Art, London, an interest in the neuro-anatomical drawings of Leonardo da Vinci led, via the Open University, to research on neuronal modelling in the Department of Physiology, Anatomy and Genetics in the University of Oxford. He was a Fellow of St. Catherine's College, Oxford, and after a two-year Fellowship in the International Center for Medical Research, Kobe, was a founder member, then senior adviser at the RIKEN Brain Science Institute, where he designed a brain science exploratorium (BrainBox). Wilf has held eight solo exhibitions, participated in group exhibitions internationally, and held a first retrospective in Japan (The Neuro-mytheologian And Other Works), in 2003. A novel (The Ladyboy Murders) was shortlisted for the Impress Prize for New Writers in 2015. In November/December 2017, he held a second retrospective at the Frederick Harris Gallery, Tokyo. And a recent portrait (Manami-san) is part of the New Light Art Prize Exhibition in the UK, touring five galleries nationally (2023-2024).

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Painting titled "Manami 2023 (Curren…" by Wilf Tilley, Original Artwork, Oil
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Printmaking titled "Boule de Suif #1" by Wilf Tilley, Original Artwork, Digital Print
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Photography titled "Une Nouvelle Mousta…" by Wilf Tilley, Original Artwork, Manipulated Photography
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Painting titled "The Influencer" by Wilf Tilley, Original Artwork, Oil
Oil on Wood | 17.9x15 in
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