comfortable distance (2025) Photography by Yusuke Miyasaki
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints- Giclée Print / Digital Print
- Dimensions Several sizes available
- Several s available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Cat
ものすごく仲が良い訳でなく、かと言って仲が悪い訳でもない。彼らは良い近所付き合いのようです。微笑ましい光景です。
Related themes
All my works are not generated by AI.
I live in Japan. The first time I used a camera was when I was 12 years old. It was my father's camera. Influenced by my father who was an employee of a railway company, I became obsessed with taking railway photos. One day, I went out to take photos with my father. I was walking with my father's camera around my neck. Suddenly, I fell. The camera hit the ground and was broken beyond repair. It must have been a camera that I had saved up from my small salary to buy. My father must have been very shocked. He didn't scold me. After a while, my father bought me a camera. It was a fairly cheap one, though. I think that through this camera incident, my father taught me a little about how people should live. When I was a student, I belonged to the photography club and took photos on various themes and exhibited them in exhibitions. At that time, it was still the era of film cameras. I did everything myself, from developing the film I shot to printing it. This was a really exciting experience. Decades have ed since then, but my ion for taking photos has not faded and I continue to do so to this day. I experienced the period of change from film to digital. Some of my important works remain in the photos taken with the low pixel count of early digital cameras. Unlike film, digital data does not deteriorate as long as you are careful about storing the data. It's a joy. Light, shadow, color, and capturing that moment as a visual expression in a photograph. This seems simple, but it is very profound. I like to see beautiful landscapes. I want to record beautiful landscapes as photographs, so that everyone can empathize with my work and share my love for nature. In addition to landscapes, wild birds and cityscapes are also interesting subjects to photograph. I am not looking for photos that are just beautiful or interesting. I pursue photos that can evoke stories and expand the image of the viewer. Each work I exhibit at ArtMajeur has a description. When you look at the work, please read the description. I think you will enjoy it even more. I will continue to explore photography so that I can create good works. I am looking forward to my work meeting you somewhere in this wide world.
- Nationality: JAPAN
- Date of birth : 1958
- Artistic domains:
- Groups: Contemporary Japanese Artists
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